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Archive for Deborah Klugman – Page 3

SCRAPS at the Matrix Theatre

I.C. Rapoport

I.C. Rapoport

Deborah Klugman – Stage Raw

Geraldine Inoa’s incisive character-rich drama, directed by Stevie Walker-Webb at the Matrix Theatre, examines the impact of institutional racism on a group of young people in the aftermath of their friend’s murder by police. The off-beat title is a reference to the origin of African-American soul food, prepared by slaves from the scraps their “owners” left for them after they took all the good parts for themselves.
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Erin Conley – On Stage & Screen

We are sadly used to hearing high-profile stories about young, unarmed black men shot by white police officers, but what happens when the media attention fades and the victim’s family must find a way to continue living after their world has been shattered? This is what playwright Geraldine Inoa explores in Scraps, a play currently in its west coast premiere at the Matrix Theatre Company in Los Angeles.
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Now running through September 15

THE PRODUCERS at Celebration Theatre

Matthew Brian Denman

Matthew Brian Denman

Deborah Klugman – Stage Raw

I’ve always admired Celebration Theatre for its expert staging of technically demanding plays in tiny venues. The company’s musical productions — last year’s Cabaret, the Boy from Oz (2016)and Women of Brewster Place, the Musical (2010) — have been especially impressive.

Now comes The Producers, Mel Brooks’s wacky stereotype-laden show about an unethical Broadway producer…
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Now running through August 12

 

MYSTERIOUS CIRCUMSTANCES at Geffen Playhouse

Jeff Lorch

Jeff Lorch

Terry Morgan  – Talkin’ Broadway

The old maxim states that truth is stranger than fiction, but sometimes truth isn’t quite that bold and merely approaches the outlandishness of prose. Such is the case of Richard Lancelyn Green, the subject of a New Yorker article, a Sherlock Holmes expert who was found dead in his apartment in 2004….
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Margaret Gray – LA Times

Sherlock Holmes is a fictional private detective dreamed up by the turn-of-the-century British doctor and writer Arthur Conan Doyle — or so history would have it. Certain scholars, collectors and fans prefer to believe that Holmes was an actual person. Holmes himself would probably agree with them….
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Jonas Schwartz -  TheaterMania

The leading expert on Arthur Conan Doyle’s famous detective Sherlock Holmes becomes the key element in a real-life mystery when he is found dead alone in his apartment. It appears to be murder, but could it be suicide?
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Deborah Klugman – Stage Raw

In December 2004, The New Yorker magazine published an article by journalist David Grann titled: “Mysterious Circumstances: The Strange Death of a Sherlock Holmes Fanatic.”
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Now running through July 14

HERLAND at Greenway Court Theatre

Philicia Endelman

Philicia Endelman

Deborah Klugman – Stage Raw

It’s not often we have a story that spotlights a friendship between an elderly woman and a much younger one. It’s a welcome notion, and the primary draw for playwright Grace McLeod’s Herland, a National New Play Network rolling world premiere, directed by Tiffany Moon at Greenway Court Theatre.
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Now running through June 23

LADIES at Boston Court Pasadena

Jenny Graham

Jenny Graham

Rob Stevens – Haines His Way

Four young women in their underwear take the stage at Boston Court. While bopping along to a lively mixtape/Itunes playlist, they don the corsets and panniers of the 18th century women they will be portraying in the World Premiere of Kit Steinkellner’s Ladies.
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Deborah Klugman – Stage Raw

Even in the darkest, most unenlightened era, there have been women prepared, often driven, to buck the strictures placed upon their gender. Ladies, Kit Steinkellner’s illuminating world premiere play directed by Jessica Kubzansky at Boston Court Pasadena, imagines what it must be like to be this kind of person, ready to risk pariahdom for the sake of personal freedom.
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Margaret Gray – LA Times

Kit Steinkellner’s new play “Ladies” presents itself initially as a stylized period piece about women’s empowerment.

At Boston Court Pasadena, four actresses walk onstage in beige bras and panties, then proceed to dress themselves in elaborate 18th century undergarments: black stockings, white corsets and hoop skirts. High-heeled lace-up white booties complete the look, which could be described as Laura Ashley bondage.
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Now running through June 30

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THE END OF BEAUTY – Playwright’s Arena at Atwater Village Theatre

PressPhotoBeauty3

Deborah Klugman – Stage Raw

In its world premiere, Cory Hinkle’s The End of Beauty runs about two hours, but it’s not until the last 10 minutes that it grips one’s attention. That’s when Silas Weir Mitchell, playing one of the story’s three characters, looks back on the past with acceptance, perplexity and regret.
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Now running through June 18

 

LADY DAY AT THE EMERSON BAR AND GRILL at The Garry Marshall Theatre

Aaron Batzdorff

Aaron Batzdorff

Deborah Klugman – Stage Raw

Deidrie Henry delivers a soulful performance as Billie Holiday in Lady Day at the Emerson Bar and Grill, Lanie Robertson’s 1986 one-act about the late great jazz singer who died prematurely at the age of 44.
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Now running through June 2

SAMSARA at the MET Theatre

John Klopping

John Klopping

Deborah Klugman – Stage Raw

In 2008, the New York Times published an article about a burgeoning new enterprise in India: the establishment of surrogacy clinics catering to couples in need of a woman to bear their child.
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Now running through June 1

 

DANIEL’S HUSBAND at the Fountain Theatre

Ed Krieger

Ed Krieger

Terry Morgan  -  Talkin’ Broadway

It’s always a nice moment when a work of art surprises me in a positive way. It reminds me of one of the reasons I love theater in the first place: the primal pull of story. It’s the delight of seeing something new when one was expecting something else.
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Deborah Klugman – Stage Raw

Daniel’s Husband, written by Michael McKeever and directed by Simon Levy at the Fountain Theatre, starts out decked with light comedy and glib dialogue  but midway takes a sharp turn to become relevant and affecting.
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Now running through June 23

 

REVOLUCIONES at the Los Angeles Theatre Center

Andrew Vasquez

Andrew Vasquez

Deborah Klugman – Stage Raw

Too often idealists who lead revolts against fascist regimes end up assuming the same dictatorial and bloodthirsty predilections as their enemies.
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Now running through May 12

 

 

THE NICETIES at Geffen Playhouse

T. Charles Erickson

T. Charles Erickson

Erin Conley – On Stage & Screen

Most people who went to college likely remember office hours as a phenomenon that you were glad existed, but rarely utilized. But in The Niceties, a play by Eleanor Burgess currently in its west coast premiere at the Geffen Playhouse in Los Angeles, office hours become a battleground between a professor and a student who see the world very differently.
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Deborah Klugman – Stage Raw

In The Niceties, playwright Eleanor Burgess constructs a dialectic between a white liberal professor of history who believes in the ideal of America despite its failings, and an angry African-American student who bitterly challenges the bedrock of her teacher’s beliefs.
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Now running through May 12

THE MIRACULOUS JOURNEY OF EDWARD TULANE at 24th Street theatre

Cooper Bates

Cooper Bates

Deborah Klugman – Stage Raw

Children’s author Kate DiCamillo won the 2006 Boston Globe-Horn Book Award for fiction for The Miraculous Journey of Edward Tulane, about a pretentious porcelain rabbit and the misadventures that befall him before he learns about humility and love.
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Now running through May 19