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Slipping at Rattlestick Playwrights Theatre

Ryan Miller

Ryan Miller

 

 

Slipping by David Talbott.

 

Sharon Perlmutter – Talkinbroadway.com

There is much to admire about the writing, and directing, of the Rattlestick production of Daniel Talbott’s Slipping. On a scene-by-scene basis, Talbott has a true gift for realistic dialogue; and, when directing his own work, he knows exactly where the pauses ought to go, to make for true-to-life conversations. But on a rather larger scale, what I really appreciate about Slipping is that, while it is definitely about its protagonist Eli, one could very well say it is about each of the other three characters as well.

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I’ll Be Back Before Midnight, Colony Theatre Company

Photo by Michael Lamont.

 

I’ll Be Back Before Midnight by Peter Colley.

 

Sharon Perlmutter – TalkinBroadway.com

I’ll Be Back Before Midnight is the sort of play that screams “regional theatre staple.” A four-character comic thriller, it doesn’t try to be anything more than what it is: a sometimes funny, sometimes jump-inducing diversion. In its Los Angeles premiere production at the Colony Theatre, it is perfectly executed. This is a show that won’t leave you debating about anything in the car on the way home, but it will leave you smiling, feeling solidly entertained.  Read more…

 

 

Cassiopeia, The Theatre @ Boston Court

Photo by Ed Krieger.

 

Cassiopeia by David Wiener.

 

Sharon Perlmutter – TalkinBroadway.com

David Wiener’s Cassiopeia is beautiful, intelligent, and delightful to listen to. To be sure, it isn’t much of a play. The script itself calls the piece a “duet,” which does seem a bit closer to the truth. It’s two poetic monologues, inextricably intertwined and occasionally interspersed with an actual scene. Read more…

 

 

Blue/Orange, Player King Productions

Photo by Patrick Viall Photography.

 

Blue/Orange by Joe Penhall.

 

Sharon Perlmutter – TalkinBroadway.com

I’ve been waiting for a Los Angeles production of Joe Penhall’s Blue/Orange ever since it won a bunch of awards in London back in 2000-2001. It’s a dark little piece about race, the human condition, degrees of insanity, and the way our own perceptions and biases influence our reality. Sort of an Oleanna by way of Equus, Blue/Orange centers on a power struggle between two mental health professionals as they disagree on the diagnosis of a patient, who is clearly caught in the middle.   Read more…

 

 

 

Justin Love, Celebration Theatre

Photo by Michael Lamont.

 

Justin Love — Book by Patricia Cotter and David Elzer, Story by David Elzer and Bret Calder, Music by Lori Scarlett and David Manning, Lyrics by Lori Scarlett.

 

Sharon Perlmutter – TalkinBroadway.com

Justin Love gives an old plot a modern twist, shines it up with with a bright and upbeat score, adds genuinely clever dialogue and lyrics, and wraps it all up in a Hollywood that only exists in fairy tales. The result is a feel-good musical in the very best sense of the phrase—a show which (even if just for a couple hours) makes you think that dreams can come true, there are no real villains, and maybe, just maybe, barriers to equality aren’t as insurmountable as they seem.  Read more…

 

David C. Nichols – L.A. Times

Tinseltown tunefully outs itself in Justin Love, triumphantly opening the Celebration Theatre’s 30th anniversary season. Though not without its still-gelling aspects, this witty, full-hearted musical fable about an idealistic Hollywood assistant and the A-Lister he un-closets is as endearing an item as any in the venue’s history.   Read more…

 

Pauline Adamek – ArtsBeatLA

Fresh and fun, the marvelous new musical about gay closet-life in Hollywood, Justin Love, was eight years in development, and the dedication shows. The storyline is sweet and not-too-predictable, the songs are snappy, upbeat and enjoyable and the direction and staging by Michael Matthews is fluid. While it could be read as a sly dig at a certain high profile actor who adamantly refuses to ‘come out,’ the plot is far more interesting and original than easy satire. Sure, it does poke fun at certain Hollywood archetypes – opportunistic gayboys, harridan bosses and sleazy tabloid journalists – but what keeps you engaged throughout is its sweet romantic core.  Read more…

 

Dany Margolies – ArtsInLA.com

As with any fairy tale, we know the story but eagerly await the manner of its telling. The hero must make a difference, must battle demons, and probably should end up “the winner.” And likely if you have decided to see this production, you’d approve of the outcome. So, how is the telling?  Read more…

 

Winners announced for 43rd Annual Los Angeles Drama Critics Circle Awards

Co-hosts Lesli Margherita and Jason Graae. Photo by Ed Krieger.

The Los Angeles Drama Critics Circle has announced the winners and special awards for excellence in Los Angeles and Orange County theater for the year 2011.

You can now follow the Los Angeles Drama Critics Circle on twitter via @LADramaCC.

The 43rd Annual Los Angeles Drama Critics Circle Awards ceremony took place Monday, March 19, 2012 at A Noise Within in Pasadena, and was co-hosted by Lesli Margherita and Jason Graae.

[Full list of nominees.]

The award recipients for the 2011 Los Angeles Drama Critics Circle Awards are as follows:

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