Dana Martin – Stage Raw It may seem like nothing much happens in Thornton Wilder’s most important work, Our Town. It is a play, after all, about ordinary people living ordinary lives. But the 1938 Pulitzer Prize winner is quietly deep and…
Steven Leigh Morris – Stage Raw Originally conceived and directed by James Lapine for a brief Broadway stint in 2010, this revue of Stephen Sondheim’s life and work received a new charge of pertinence in the wake of Sondheim’s death…
Harker Jones – BroadwayWorld Relationships are complicated. And whether it’s marriage, friendship, or with your cat, they become exponentially more complicated when there are more than two people involved, which is what gay married thirtysomethings Josh (Noah Bridgestock) and Alex…
Steven Leigh Morris – Stage Raw Shakespeare’s play gets a Wooster Group-ish makeover in John Gould Rubin’s modern dress staging for the Wallis. Tech is omnipresent, almost omniscient. Narrow, vertical panels on both sides of the stage provide screens for…
The 2022 Los Angeles Drama Critics Circle is pleased to announce its current officers and members for the upcoming 2022- 2023 season. Founded in 1969, the Circle currently includes 17 critics covering productions across the Greater Los Angeles area. The…
Jonas Schwartz-Owen – Theatermania There’s a gargantuan myth surrounding the opening of Hadestown at the Ahmanson Theatre. Not the Greek tragedy of Orpheus and Eurydice, which this musical does borrow, but the legend of the juggernaut Broadway production that opened in April…
Terry Morgan – Stage Raw If one reads in the press that a new play is a “minstrel show,” it might give one pause about seeing said show. Historically, minstrel shows were racist entertainment in which White people wearing “blackface”…
Steven Leigh Morris – Stage Raw The times have caught up to playwright Murray Mednick, now an octogenarian, who has sustained a singular, uncompromising vision in his plays over the course of half a century. The vision is grim, but…
Harker Jones – BroadwayWorld The musical TOOTSIE, based on the 1982 film of the same name, is a contemporary take on an old trope: a man unconvincingly passes himself off as a woman, everyone in his world buys it, and…
Don Shirley – Angeles Stage Just over a month ago, millions of us witnessed a dramatic descent into chaos onstage at the Dolby Theatre in Hollywood. At the Oscar ceremony, the usual back-patting was upstaged by the unscripted cheek-slapping of…