THE CRUCIBLE by Arthur Miller. Neal Weaver – LA Weekly Arthur Miller’s play, first produced on Broadway in 1953, was Miller’s impassioned response to McCarthyism and the witch-hunts launched by the House Un-American Activities Committee. But the fact that it has become an oft-produced American classic and the basis for two films (including a French version with … Read more
CHESS – Book by Richard Nelson, lyrics by Tim Rice, music by Benny Andersson and Björn Ulvaeus Mayank Keshaviah – LA Weekly Like the 1980s, this revival of the Cold War-themed musical that produced the hit song “One Night in Bangkok” is kitschy, colorful and full of spectacle. Yet its return also reveals the contrived, confusing … Read more
DYING CITY by Christopher Shinn. Pauline Adamek – LA Weekly When Peter (Burt Grinstead) unexpectedly shows up at Kelly’s (Laurie Okin) Lower Manhattan apartment, the mood is prickly and awkward. It’s understandable; Peter is the identical twin of her husband Craig, a hard as nails soldier who recently died in a military accident in the Gulf. But … Read more
THE BALD SOPRANO and THE CHAIRS by Eugene Ionesco. Shirle Gottlieb – The Gazette Newspapers Written in 1948 shortly after World War II, “The Bald Soprano” was Eugene Ionesco’s first play. As the transplanted Romanian struggled to write in French (the language of his adopted country), he realized how banal everyday communication had become. He had … Read more
JOE TURNER’S COME AND GONE by August Wilson. Deborah Klugman – LA Weekly For this critic August Wilson has always been eloquent on the page, a bit wordy on the stage. This second in his 10-play chronicle of the African-American experience takes place in 1911, a bare 46 years after the Civil War ended. Wilson’s vibrant characters … Read more
FALLING FOR MAKE BELIEVE by Mark Saltzman David Nichols – LA Times Though the late Lorenz Hart stands near-peerless among Broadway lyricists, his tortured private life remains largely untitled. That is, until “Falling for Make Believe” at the Colony Theatre, wherein a grand cast and 21 classic songs propel Mark Saltzman’s musical study of Hart and his … Read more
COPS AND FRIENDS OF COPS by Ron Klier. Dany Margolies – ArtsInLA Paul stands by the light of a jukebox. The audience is intrigued, wondering who he is and why he’s there.Read more…
PARADE – Libretto by Alfred Uhry, Music and Lyrics by Jason Robert Brown. Les Spindle – Edge on the Net As daily news flashes are dominated by reports of crippling political divisiveness, accusations of governmental manipulation and heinous acts of violence and bigotry, the masterful 1998 musical “Parade” has never felt more pertinent.Read more…
THE ROYALE by Marco Ramirez. Pauline Adamek – ArtsBeatLA A ferocious cast giving their all in a powerful play—Marco Ramirez’ The Royale is a tremendously satisfying evening of theater, now playing at the Kirk Douglas Theatre. Set in the world of boxing during the early 1900s, we meet a tough young fighter Jay “The Sport” Jackson (David … Read more
MISS JULIE by August Strindberg. Pauline Adamek – ArtsBeatLA Turn-of-the-century Swedish playwright August Strindberg’s naturalistic drama Miss Julie was remarkable in its day for its scandalous subject matter and frank dialogue exchanges. With its scathing commentary on the entrenched class system, passion and power, the play was banned in Britain for nearly fifty years after its publication. … Read more