The Chinese Lady @ CHANCE THEATER
Anita W. Harris – LA Theatrix It falls on Krusiec as Afong to relate most of that history, which perhaps prevents her from being as animated as Park. But toward the end, as Afong recounts how she survived in this…
Category Reviews
Read MoreThe Chinese Lady @ CHANCE THEATER
Lear Redux @ ODYSSEY THEATRE
Deborah Klugman – Stage Raw From the moment he makes his entrance — sour-faced, cantankerous, shuffling as he leans resentfully on the walker that testifies to infirmity and old age, a comedic Jack Stehlin ignites the stage.” Read more… Anita…
A Doll’s House, Part 2 @ PASADENA PLAYHOUSE
Jonas Schwartz – Theatermania Jennifer Chang’s interpretation of Hnath’s play is puzzling. The dialogue crackles on its own, yet Chang adds unnecessary modern touches, like a violin version of the White Stripes song “Seven Nation Army” (sound by John Nobori)…
Love’s End (Clôture de l’amour) @ ODYSSEY THEATRE
Anita W. Harris – LA Theatrix Having its West Coast premiere at the Odyssey Theatre, “Love’s End” — translated by Jim Fletcher and Kate Moran from the original 2011 French play “Clôture de l’amour” by Pascal Rambert — offers a…
A Man of No Importance @ A NOISE WITHIN
Anita W. Harris – LA Theatrix Seamlessly directed by A Noise Within’s co-artistic director Julia Rodriguez Elliott and excellently acted and sung, “A Man of No Importance” is the kind of mesmerizing musical that captures your spirit and gives you…