Anita W. Harris – LA Theatrix Irish playwright Samuel Beckett wrote “Waiting for Godot” in the winter of 1948, in French, having lived in Paris for 20 years and witnessing the devastating effects of World War II as a member…
Anita W. Harris – LA Theatrix It’s a lot to cover, but under Daniel’s direction, the action is engagingly fluid and suspenseful – you really don’t know what’s going to happen next – heightening the story’s innate tensions. And due…
Anita W. Harris – LA Theatrix Under the direction of Todd Nielsen, the actors are meticulous both in their deliveries and intricately timed movements, so the audience is always clear as to what’s going on amid the surprising twists…
Travis Michael Holder – TicketHoldersLA Anyone who’s been privy to my usual grumblings concerning the dated nature of traditional musical comedy as opposed to the innovation of contemporary musical theatre will appreciate my excitement about David Lindsay-Abaire’s multiple-Tony-winning 2021 musical…
Terry Morgan – ArtsBeatLA Thornton Wilder’s 1942 Pulitzer Prize-winning play, The Skin of Our Teeth, is an assuredly odd duck. It’s eighty-two years old but still seems postmodern with its frequent fourth-wall breaking, playfulness with time and use of characters…