Travis Michael Holder – TicketHoldersLA Arthur Miller often tackles the universal themes of morality vs. what his great classic’s everyman anti-hero Joe Keller calls “practicality,” but this time out the author leaves just a tad room for his audience to discover things for ourselves without incessant preaching about how dastardly our world operates. Read more… … Read more
Anita W. Harris – Long Beach Post The first play of International City Theatre’s new season — “I Love You, You’re Perfect, Now Change” by Joe DiPietro with music by Jimmy Roberts — is an unexpected blast. Funny, sometimes poignant and filled with lively singing by a talented cast of four accompanied by on-stage piano … Read more
Jonas Schwartz – Theatermania Julia Child’s charismatic personality is explored in Claudia Shear’s new play The Recipe, a comedy with too few laughs and too few fresh insights into the life of the iconic chef. Lisa Peterson helms a breezy production that keeps the action moving, but her direction of its lead ultimately sinks it. … Read more
Patrick Chavis – LA Theatre Bites Podcast 9 out of 10! Exceptional Show! LA Theatre Bites Recommended! Listen more… Deborah Klugman – Stage Raw Some of the most impressive moments are the fight scenes, eliciting kudos for both fight coordinator Jonathan Rider and a disciplined ensemble. Equally, the final showdown between Richard and his nemesis, … Read more
Martín Hernández – Stage Raw [A] stirring production anchored by the stellar dramatic and vocal performances from the majority Latinx cast. Read more… Anita W. Harris – Long Beach Post Miguel de Cervantes’ 1605 novel “Don Quixote” tells the story of a nobleman who becomes a knight errant, traveling the land doing chivalrous deeds with … Read more
Anita W. Harris – LA Theatrix Rising playwright Beth Hyland’s “Sylvia Sylvia Sylvia,” having its world premiere at Geffen Playhouse, is just what you’d want in a new play — ambitious and compelling in a well staged and performed production. Bringing to life poets Sylvia Plath and Ted Hughes as they affect a current writer … Read more
Travis Michael Holder – TicketHoldersLA The accessibility of Suzy Eddie Izzard’s performance as Shakespeare’s most notorious prince is unquestionably on display in her jarringly unique delivery of Hamlet’s most well-known speech, the character’s often caricatured third soliloquy, presented simply and with great warmth and humanity instead of spouted in grandly theatrical style filled with rage, … Read more
Patrick Chavis – LA Theatre Bites Podcast 7.9 out of 10! Above Average! Listen here… Travis Michael Holder – TicketHoldersLA There’s no tap dancing, no flashy special effects, no Merman-style belt numbers; it’s just a quiet and immensely relatable story with a haunting, gossamer score celebrating the wondrous endurance of true love and its ability … Read more
Anita W. Harris – Long Beach Post Enter “Mrs. Christmas,” a delightful new musical play by Tom Jacobson having its world premiere at the Aurora Theater this month that balances a nostalgic look at the past with meaning in the present — all with a twinkle in the eye. Read more… Travis Michael Holder – … Read more
F. Kathleen Foley – Stage Raw And granted, Rishawn has impressively perfect abs, but why, in one scene, is he wearing an open shirt with his six-pack visibly oiled? It’s a meretricious visual that comes at the expense of the character and indicates deeper problems with the staging, which too often panders for laughs. Read … Read more