Harker Jones – BroadwayWorld. Aerosol in the air as Tracy Turnblad, Penny Pingleton, and the teens of Baltimore bring politics and pizzazz to Hollywood with a stunning production of one of the best and beloved musicals of all time… It’s a thrilling, unsinkably upbeat show, gleefully over the top, with colorful characters, costumes, and sets. … Read more
Harker Jones – BroadwayWorld. Despite the sex comedy aspects of the show, a vein of melancholy runs throughout it, much of it being told through the lens of regret. This isn’t encapsulated any better than in Desirée’s lament “Send in the Clowns,” which is hopeless and hopeful and remorseful and accepting and existential all bound … Read more
Katie Buenneke – Stage Raw. At moments, the play is an absolute delight. Melville seems born to play a Coward crank, and really shines in the role. Chalsma is charming, especially when Amanda is at her most flustered. Charles is also strong as Victor, a gentleman who reaches his breaking point as things cycle out … Read more
Jonas Schwartz – Theatermania Ava: The Secret Conversations, written by and starring Elizabeth McGovern, looks at the life of golden-age movie star Ava Gardner. But oddly, it focuses more on a periphery character, a sycophantic hack writer. This might come as a disappointment to those who want to spend time with Gardner rather than this … Read more
Tracey Paleo – BroadwayWorld. Notwithstanding that they fell into many textbook Shakespeare traps, and that there was zero chemistry between any single one of the characters, the Foolish Production Company cast actually knew what they were doing. And mostly their 1-hour rendition of TWELFTH NIGHT (playing in rep with MEASURE FOR MEASURE at The Broadwater) … Read more
Harker Jones – BroadwayWorld. Tony-nominated playwright Lucas Hnath’s THE THIN PLACE is an eerie meditation on grief, regret and the need for closure, though it is undermined by the lack of a satisfying conclusion… Obie Award- and Outer Critics Circle Award-winning Hnath (“Red Speedo”; “A Doll’s House, Part 2”) carefully delineates each character with precise … Read more
Tracey Paleo – BroadwayWorld. There are defining moments in our lives where we either shrink away in fear or make a stand at all costs. In 2020, at the beginning of a global health crisis, under the order of a shelter-in-place lockdown, Kristina Wong faced such a moment. And in that moment, Kristina Wong became … Read more
Socks Whitmore – Stage Raw. John Perrin Flynn, the producing artistic director of Rogue Machine Theatre, states clearly in the program for their latest production: “We don’t do musicals.” And yet, the show itself — the world-premiere run of Come Get Maggie, a feature-length retro science-fiction/forbidden romance created by Diane Frolov and Susan Justin — is exactly … Read more
Harker Jones – BroadwayWorld. It’s one thing to have unresolved issues; it’s another to be in your mid-thirties and unable to process them with a little more aplomb than these friends do. With some fine tuning to the script and the direction (and thusly the performances), this could be a moving meditation on that nebulous … Read more
Tracey Paleo – BroadwayWorld. From the moment Rafiki (Gugwana Dlamini) Shaman of the Pride Lands, heralded her recognizably famous opening note, the audience was uproarious. And there was nothing that could have prepared me for my slightly teary-eyed response to the splendor of it all. Even as long as it’s been around, THE LION KING … Read more