Jonas Schwartz – TheaterMania It is one of the age-old theater questions: Can a performance rise the level of a so-so script, adding depth missing from the dialogue and characterizations? Broadway actor Matt McGrath proves the answer can be yes…
Deborah Klugman – Capital & Main In John Strand’s play, The Originalist, the late Supreme Court Associate Justice Antonin Scalia (Edward Gero) is presented as a lovable curmudgeon — rather like the tough, gruff but charismatic professor you might have had…
Deborah Klugman – Stage Raw In Revolution in a Catsuit, directed by Michael Philip Edwards, playwright/lead performer Somi De Souza aims to tackle the problems of ethnic minorities in the entertainment industry — the tendency for directors, casting directors and producers…
Deborah Klugman – LA Weekly In the program notes for Supper, Phinneas Kiyomura remarks that his play about four right-wing billionaire brothers is not about the Koch brothers. But you could have fooled me. Read more… Lovell Estell III — Stage Raw The clan…
Deborah Klugman – LA Weekly While I’m not familiar with all — or even most — of Charles Mee’s work, it’s a safe bet that Adam and Evie, directed by Frédérique Michel at City Garage, is one of his gentler, sweeter plays.…