Martίn Hernández – Stage Raw Arthur Miller’s 1949 classic challenged the USA’s post-World War II optimism, serving as a pungent indictment of the country’s drive for economic success and the toll it took on working class people in their scramble…
Tracey Paleo – BroadwayWorld Don’t get me wrong. The production values are absolutely stellar. Lighting and sound are magnificent. The stage appropriately dressed. So well in fact, that the two-tiered set of upper walkway and then lower floor barracks that…
Jonas Schwartz – Theatermania A Transparent Musical is special — more for what it is about than what it actually is. The ambition and sentiment are admirably high, but the execution needs serious work. Director Tina Landau gathers an excellent…
Deborah Klugman – Stage Raw An old-timey small town in Kansas. A young person chafing at its limitations and longing to see the world. A handsome stranger of uncertain moral character who appears as a catalyst for change. These plot…
Terry Morgan – Stage Raw There have already been films and other works of art concerning the “Me Too” movement, but No Place Like Gandersheim is the first play I can think of that talks about its aftermath. That isn’t…