ALBEE/PINTER at Pacific Resident Theatre

Deborah Klugman – Stage Raw In 1960, Edward Albee and Harold Pinter were young playwrights whose work challenged theatrical convention and the expectations of critics and audiences. Both Albee’s brief two-hander, Fam and Yam, and Pinter’s lengthier one-act, The Dumb Waiter, received English language premieres that year — Albee’s at the Music Box Theatre on Broadway and Pinter’s at … Read more

WHO’S AFRAID OF VIRGINIA WOOLF at Geffen Playhouse

Terry Morgan  –  Artsbeat LA Bitchiness, thy name is Albee. Has there ever been a play that reveled in so much in mean-spirited badinage as Edward Albee’s Who’s Afraid of Virginia Woolf? Sour wit courses through the blackened veins of this show like acidic blood, or more specifically like the booze the characters actively embalm themselves with.  Read … Read more

AT HOME AT THE ZOO at the Wallis Annenberg Center for the Performing Arts

Neal Weaver  – Stage Raw As the story goes, someone — a friend, a roommate or a lover — said to Mr. Albee, “Edward, you will be thirty years old tomorrow, and you don’t have a damn thing to show for it.” Stung by this comment, Albee sat down and, overnight, wrote a long one-act … Read more

THE PLAY ABOUT THE BABY at The Road Theatre on Magnolia

Neal Weaver  – Stage Raw As I was driving to The Road Theatre to see this Edward Albee play, the radio news announced that Albee had died earlier in the day, at the age of 88. At the theatre, director Andre Barron informed the crowd in the lobby that Albee had passed away. There was … Read more

THE GOAT OR, WHO IS SYLVIA? AT THE LGBT Center’s Davidson/Valentini Theatre

Pauline Adamek  – ArtsBeatLA Ann Noble gives a magnificent performance in Edward Albee’s absurd drama The Goat or, Who Is Sylvia?, now playing at the Los Angeles LGBT Center’s Davidson/Valentini Theatre. Ostensibly a study of the irreparable destruction of a perfect marriage, Albee softens us up with his dry humor and jokey lines swirling around a premise, … Read more

A DELICATE BALANCE at the Odyssey Theatre

Myron Meisel – The Hollywood Reporter A Delicate Balance (1967) won the Pulitzer Prize shamefully denied Edward Albee for Who’s Afraid of Virginia Woolf?. Spiky, stilted and maybe maddening to many, it was probably the most abstruse honoree at that point in the award’s history. Albee managed the difficult feat of being muskily dated and vanguardishly visionary … Read more