Deborah Klugman – Stage Raw In 1960, Edward Albee and Harold Pinter were young playwrights whose work challenged theatrical convention and the expectations of critics and audiences. Both Albee’s brief two-hander, Fam and Yam, and Pinter’s lengthier one-act, The Dumb Waiter, received English language…
Terry Morgan – Stage Raw Back in the ’60s, Andy Warhol was quoted as saying, “In the future, everyone will be world-famous for 15 minutes” — but his own fame clearly outpaced that prediction. He’s been the subject of films…
Terry Morgan – Stage Raw One of the hallowed maxims of writing teachers everywhere is: “Show, don’t tell.” Simply put, the actual experience of a thing is much more effective than simply hearing about it. There are, of course, exceptions…
Dany Margolies – The Daily Breeze How can people be rhinoceroses? Ask that in the literal and figurative senses and you have Eugene Ionesco’s 1959 landmark play, “Rhinoceros.” Read more… Lovell Estell III — Stage Raw It’s difficult to imagine a…
Terry Morgan – Stage Raw Dramatically, antiheroes are more interesting to write about and portray than standard heroes because they combine the most compelling aspects of both hero and villain. Eugene O’Neill knew this well, and populated his plays with…