Terry Morgan – Stage Raw One of the main pleasures of history-based plays is reexamining subjects from a new perspective. The life of Mozart was forever altered in people’s perceptions after Amadeus opened. The term “witch hunt” to describe something other than the Salem trials likely was influenced by The Crucible. John Ross Bowie’s sharply … Read more
Deborah Klugman – Stage Raw. One of America’s most popular playwrights in the 1950s, William Inge drew on his childhood and youth in a small Kansas town for his incisive portrayals of life in the American Midwest. Inge eventually fell out of favor with critics and audiences alike, a decline precipitated in part by a … Read more
Deborah Klugman – Stage Raw Plays we now regard as classics aren’t always well-received when they debut. Like The Birthday Party (reviewed on this site in June), Henrik Ibsen’s Ghosts was much disparaged when it appeared in 1881— not for being too cryptic, which was the complaint lodged against Pinter, but for being salacious and grossly offensive. Launched in … Read more
Terry Morgan – Artsbeat LA I have a rule about avant-garde theater: if an artist chooses to deliberately obscure his/her/their meaning via unusual methods or flirts dangerously with pretentiousness, the play had better validate those choices by demonstrating how they were necessary. Most experimental pieces, in my experience, fail that test, but when they succeed … Read more
Lovell Estell III — Stage Raw Gertrude Stein was a poet, novelist, essayist and playwright who is generally regarded as one of the more influential female writers of the 20th century. Her style was anything but conventional, and we have her to thank for such pithy expressions as “a rose is a rose is a … Read more
Deborah Klugman – Capital & Main Paradise, by Laura Maria Censabella, has a lot going for it. Drawn from the playwright’s experience as an artist-in-residence in the New York City school system, it builds around the relationship between Yasmeen (Medalion Rahimi), a 17-year-old Yemeni-American student, and her biology instructor, Dr. Royston (Jeff Marlow), who supports and … Read more
Terry Morgan – Stage Raw The word “hir” is a gender-neutral, third-person pronoun that replaces “him” or “her.” It’s an appropriate title for Taylor Mac’s play, which examines gender definitions in the context of an American family drama. Read more… Erin Conley – On Stage & Screen What happens when you return home after time away … Read more
Jenny Lower Beckman – LA Times When actor and performance artist John Fleck steps out of the shadows in the opening moments of “Blacktop Highway,” he could be telling a ghost story around a campfire.Read more… Now running through December 16
Neal Weaver – Stage Raw Romanian-French experimental playwright Matei Visniec began his prolific writing career in Bucharest, but because of the strict censorship at the time, none of his plays could be produced. He sought political asylum in France and began writing in French.Read more… Now running through November 4
Dany Margolies – The Daily Breeze Apparently the songs of composer-lyricist Stephen Sondheim are not failsafe. He’s the genius behind some of the last century’s and some of this one’s best musicals. Some of his early songs are showcased in the revue titled “Side by Side by Sondheim,” currently at the Odyssey in West Los … Read more