F. Kathleen Foley – Stage Raw This production offers a radiant counterpoint to America’s cruel climate of xenophobia—a vivid reminder of the rich gifts that immigrants have always contributed to this nation’s story. Read more…
Patrick Chavis – LA Theatre Bites Podcast 8.9 out of 10! Excellent Show! LA Theatre Bites Recommended! Listen here… Anita W. Harris – LA Theatrix While the play is genuinely affecting about the lives of these intrepid brothers, emotional nuance sometimes doesn’t land, perhaps also because the play’s pastiche structure precludes a sense of story. … Read more
Martín Hernández – Stage Raw (Playwright/director Michael J.) Harney’s working “improvisationally for months” with his actors has resulted in longwinded poetical dialogue, protracted scenes, inflated and stereotyped characters, and a tedious three-hour-long production. Read more… Patrick Chavis – LA Theatre Bites Podcast 8.2 out of 10! Good Show! LA Theatre Bites Recommended! Listen here…
Travis Michael Holder – TicketHoldersLA This is a glowing representation of a magnificent work of art, beautifully designed, brilliantly acted, and directed with an obvious passion for honoring the words and poetry of Tennessee Williams. Read more… Deborah Klugman – Stage Raw Production elements serve up an attractive framework for the story, its sweltering tropical … Read more
F. Kathleen Foley – Stage Raw Director Allen Barton, who is also credited as dramaturge, delivers a competent staging. However, a dramaturge’s mandate is to help synthesize existing material, and in this, Barton fails. Read more…
Tracey Paleo – Gia On The Move Preview night stood on no ceremony whatsoever as Ortega delivered her Magnum Opus performance, AM I ROXIE? – an autobiographical, comedic lullaby to her Peruvian mother who lived her last years and died with Alzheimers. Very Highly Recommended. Read more… Jonas Schwartz – Theatermania The Geffen Playhouse is … Read more
Anita W. Harris – LA Theatrix While some of us can multitask, others — like Francis Henshall (Kasey Mahaffy) in “One Man, Two Guvnors” — find it inexplicably and hilariously challenging. Richard Bean’s 2011 take on Carlo Goldoni’s 1746 Italian “The Servant of Two Masters” re-sets the story to 1960s Brighton, England, complete with skiffle … Read more
F. Kathleen Foley – Stage Raw It’s not all techno razzle-dazzle, though. Staging a musical this long and complicated is challenging, but Hade sturdily structures the mechanism with few creaking nuts and bolts. Read more… Patrick Chavis – LA Theatre Bites Podcast 9 out of 10! Exceptional Show! LA Theatre Bites Recommended! Listen here…
Tracey Paleo – Gia On The Move I’m not sure why Antonio Jaramillo chose THE WOOL GATHERER as the vehicle to showcase himself and his real life partner Ashley Alvarez. But it sure did bring me back to all the worst things about the 1970s. Sure, it’s a love story. But there is so much … Read more
F. Kathleen Foley – Stage Raw The Fantasticks, the longest running musical in history, goes back so many years and has gone through so many iterations—including a critically ill-received 2000 film—that you would think material this familiar wouldn’t pack the same emotional punch of a first viewing. You would be wrong. Read more… Amanda Callas … Read more