Myron Meisel – The Hollywood Reporter Sporting a title so long that the average online reader might not even get through it, Discord reconfigures Jean-Paul Sartre’s No Exit through the filter of Steve Allen’s Emmy-winning 1977-1981 PBS series Meeting of the Minds. Trapped in a locked, baldly-lit…
Bob Verini – Arts In LA Tarell Alvin McCraney’s Choir Boy is a mess but all the same a bona fide crowd pleaser. Its characters are drawn with remarkable inconsistency, and they’re put through enough subplots (touched on, though never explored fully)…
Bob Verini – Arts In LA On the heels of Spike Jonze’s award-winning film Her comes another whimsical, futuristic, seriocomic speculation about artificial intelligence’s commercial and emotional potential. This one is Jordan Harrison’s world premiere play at the Taper, titled Marjorie Prime, and…
Steven Leigh Morris – LA Weekly Playwrights under 40 write mainly about love and politics, or so the adage goes; playwrights over 40 write mainly about death. By the time Samuel Beckett’s Happy Days premiered in 1961, the great Irish bard was…
Steven Leigh Morris – LA Weekly David Mamet’s play Race, about a rich, white guy seeking a law firm to defend him from accusations of raping a black woman, ought to feel ripped from the headlines — even though it premiered…