Jonas Schwartz – TheaterMania Sandra Tsing Loh has a lot to say about menopause and the suffering and confusion it causes for women. The award-winning essayist’s first play, The Madwoman in the Volvo, reveals very personal travails, but does it in…
Jenny Lower – LA Weekly More than any contemporary playwright who comes to mind, Sarah Ruhl’s characters inhabit worlds wholly her own. Even when she adopts a historical setting, as with In the Next Room (or The Vibrator Play), her lyrical…
Bob Verini – Stage Raw Let’s start by talking about the song, and if you’re reading about Dreamgirls you already know what song I mean. It’s the one that everyone’s always waiting for, the one that practically single-handedly justifies a revival of…
Myron Meisel – Stage Raw I remember, back when young and impecunious, sneaking into the house during first intermission to catch the last two acts of Harvey Fierstein’s Torch Song Trilogy, only to be so smitten that I returned the following…
Margaret Gray – LA Times It could be the setup for a Harlequin romance: A beautiful novelist curls on a couch in a bed-and-breakfast in rural Michigan, proofreading a manuscript, completely alone. Heavy snow has deterred other guests, and even…