BANSHEE at Theatre of Note
Steven Leigh Morris – LA Weekly The West Coast premiere of Brian C. Petti’s Banshee at Theatre of NOTE looks like an old play — it’s an Irish fable, but set in New York, in 1981. Sad sack Junior (Bill Voorhees), now…
Steven Leigh Morris – LA Weekly The West Coast premiere of Brian C. Petti’s Banshee at Theatre of NOTE looks like an old play — it’s an Irish fable, but set in New York, in 1981. Sad sack Junior (Bill Voorhees), now…
David C. Nichols – LA Times Coincidences are the universe’s way of being lazy” is one recurring motif in “I Wanna Hold Your Hand” at Theatre of NOTE, though it’s hardly the only metaphor. Erik Patterson’s promising dramedy pulls multiple…
Deborah Klugman – LA Weekly While the overarching message in playwright Steve Yockey’s fractured farce Disassemblyisn’t quite clear, its clever irony is nonetheless unmistakable. Each of the comedy’s daft desperate-for-love characters spins in his or her own idiosyncratic orbit. One exception to…
Deborah Klugman – LA Weekly The office dork smitten with the comely gal in the next cubicle is a familiar comic setup. In Alex Dremann’s strained satire, the unhappy swain, Colin (Trevor H. Olsen), has much bigger problems than the…
Hearts Like Fists by Adam Szymkowicz. Pauline Adamek – ArtsBeatLA A chop-socky cartoon on stage, Hearts Like Fists, written by Adam Szymkowicz, is an action-packed adventure romance set in the surreal world of female crime-fighting superheroes. Nurses by day, skilled warriors by night, a band of…