Don Shirley – Angeles Stage Why didn’t the LA Times review the hilarious “Tiger Style!” or “Our Town” at South Coast Repertory? Plus thoughts on “Man of God,” “Metamorphoses,” and more. “Tiger Style!” deserves the exclamation point in its title. Mike Lew’s satire is the funniest new play I’ve seen since theaters started re-opening last … Read more
Dany Margolies – The Daily Breeze Presumably expelled by his New York City church for being gay, Griffin Matthews gathered his earnings from his then-unfruitful acting career and headed to Uganda for a six-week stay to help build a school. He changed lives there. The Ugandans he met changed his. And from this real-life journey … Read more
Terry Morgan – Stage Raw When J. B. Priestley’s An Inspector Calls premiered in 1945, its vivid dissection of the British social class system in the guise of an Agatha Christie–style mystery was appreciated as a modern classic. Nonetheless, in the following decades its drawing-room play format fell out of favor amidst a tide of naturalism. Director … Read more
Ellen Dostal – BroadwayWorld The countdown to Christmas begins and ends with an all-out love blitz this year in For the Record’s latest world premiere, LOVE ACTUALLY LIVE, a hybrid entertainment that blends scenes from Richard Curtis‘ 2003 film Love Actually with live performances of the movie’s soundtrack. Co-produced by the Wallis Annenberg Center for the Performing Arts, … Read more
Ellen Dostal – BroadwayWorld Halfway through Act I of Eugene O’Neill’s LONG DAY’S JOURNEY INTO NIGHT at the Wallis, I was looking at Rob Howell’s see-through set design when it dawned on me. People who live in glass houses shouldn’t throw stones. If only the Tyrones had gotten the memo.Read more… Neal Weaver – Stage … Read more
Ellen Dostal – BroadwayWorld Somewhere in a cheap hotel in Chicago, circa late 1930s, three women are singing the blues. Two have been around the block and seen it all. One is woefully wise beyond her years. All have been burned by the flames of desire and lovers who have done them wrong.Read more… Deborah … Read more
Ellen Dostal – BroadwayWorld In Act 1 of JACKIE UNVEILED, Tom Dugan‘s new solo play about Jacqueline Kennedy Onassis, she repeats a single phrase over and over. “I’m no good alone.” The chain smoking, alcohol indulging former first lady has just learned that her brother-in-law (and secret lover) Bobby Kennedy has been assassinated. Now, in the wee … Read more
Margaret Gray – LA Times Sometimes it’s fun to sashay into a theater cold, without the slightest notion of what you’re in for. But before seeing “The Flying Lovers of Vitebsk,” the Kneehigh Theatre production now at the Wallis in Beverly Hills, you might want to refresh your memory of the art of Marc Chagall.Read … Read more
Deborah Klugman – LA Weekly Marketed as family fare, The Heart of Robin Hood, David Farr’s feminist twist on the classic legend, is perhaps more suitable for kids than for grown-ups. Co-directed by Icelandic artists Gisli Örn Gardarsson and Selma Björnsdóttir, it’s a pleasant two-hour interlude that serves up an attractive spectacle…Read more… Rob Stevens – … Read more
Deborah Klugman – Capital & Main In his powerhouse performance as Dick Gregory, the stand-up comic who rose to fame in the 1960s, Joe Morton tells the following story: He was civil rights organizing in the South with his good friend Medgar Evers, when he received a call informing him that his infant son had … Read more