Martίn Hernández – Stage Raw In the early 1950s, playwright Arthur Miller and his friend Elia Kazan pitched Miller’s dockworker-based screenplay The Hook, with Kazan as the proposed director, to Columbia Pictures’ boss Harry Cohn. When Cohn – and the FBI – wanted to change the corrupt union villains from Mafia thugs to Communist ones, … Read more
Martίn Hernández – Stage Raw Arthur Miller’s 1949 classic challenged the USA’s post-World War II optimism, serving as a pungent indictment of the country’s drive for economic success and the toll it took on working class people in their scramble for The American Dream. Almost seventy-five years since its Broadway debut, Miller’s seminal work is … Read more
Terry Morgan – Stage Raw The Young Vic production of Arthur Miller’s A View from the Bridge was roundly praised in both London and New York. The current version at the Ahmanson, however, has at least a couple of major problems. Read more… Dany Margolies – The Daily Breeze Belgian theater director Ivo van Hove revives Arthur Miller’s … Read more
Deborah Klugman – LA Weekly As in Death of a Salesman, his 1949 Pulitzer Prize winner (and my personal favorite) Arthur Miller’s All My Sons looks at an American family in crisis and weaves their story into a broader vision of a morally bankrupt culture. Read more… Paul Birchall – Stage Raw Arthur Miller’s powerful 1947 family drama has aged … Read more
Shirle Gottlieb – Gazette Newspapers I can’t count how many productions I’ve seen of “Death of a Salesman” over the years — including, of course, the inevitable movie that packs the theater whenever or wherever it plays. Read more… Now running through June 20.
Jonas Schwartz – TheaterMania A revival of Arthur Miller’s 1967 The Price, in which a room full of furniture triggers a catharsis between a frustrated man, his wife, and his estranged brother, is now running at the Mark Taper Forum. Old wounds are pulled open and family trauma is finally able to mend in this stirring play, … Read more
Deborah Klugman – ArtsBeatLA Death of a Salesman is about American capitalism and the price it extracts from the everyday working Joe. It’s about dreams and expectations, and what happens to someone when these go unfulfilled. It’s about honesty and the ultimate consequences extracted from those who self-deceive. And, of course, it’s about fathers and sons … Read more
Pauline Adamek – LA Weekly Oft staged, Arthur Miller’s 1947 tragedy is a modern American classic for good reason; its powerful message endures. On the surface All My Sons is a slice of post WWII small town family life. Beneath that homespun layer lurk cold-hearted monsters. Read more…