Martίn Hernández – Stage Raw In the early 1950s, playwright Arthur Miller and his friend Elia Kazan pitched Miller’s dockworker-based screenplay The Hook, with Kazan as the proposed director, to Columbia Pictures’ boss Harry Cohn. When Cohn – and the…
Martίn Hernández – Stage Raw Arthur Miller’s 1949 classic challenged the USA’s post-World War II optimism, serving as a pungent indictment of the country’s drive for economic success and the toll it took on working class people in their scramble…
Terry Morgan – Stage Raw The Young Vic production of Arthur Miller’s A View from the Bridge was roundly praised in both London and New York. The current version at the Ahmanson, however, has at least a couple of major problems. Read more……
Deborah Klugman – LA Weekly As in Death of a Salesman, his 1949 Pulitzer Prize winner (and my personal favorite) Arthur Miller’s All My Sons looks at an American family in crisis and weaves their story into a broader vision of a morally…
Shirle Gottlieb – Gazette Newspapers I can’t count how many productions I’ve seen of “Death of a Salesman” over the years — including, of course, the inevitable movie that packs the theater whenever or wherever it plays. Read more… Now…