Deborah Klugman – LA Weekly A fugue, in music, is a melody repeated in complex patterns. In psychiatry, it’s a dissociative state of mind. Playwright Tommy Smith infuses both meanings into his ambitious new play, Fugue. Read more… Dany Margolies – Arts In LA This show has quite the pedigree. Its playwright, Tommy Smith, wrote last year’s … Read more
Bob Verini – Arts In LA The singular feature of this vest-pocket staging by the DOMA Theatre Company—and the most compelling reason for attending—is the timeless score by composer Andrew Lloyd Webber and lyricist Tim Rice. Read more… Paul Birchall – Stage Raw A spirit of youthful rebellion suffuses director Marco Gomez’s delightfully earnest and powerful … Read more
Paul Birchall – Stage and Cinema In playwright Stephen Karam’s touching and funny drama, characters are frequently spotted quoting the great Lebanese poet-philosopher Khalil Gabran. “All is well,” they say, often in the midst of the most odious adversity. Of course, all is not well at all: Indeed, all is rather, as the Yiddish expression … Read more
Margaret Gray – LA Times Enter Laughing,” Carl Reiner’s semi-autobiographical 1958 novel, has had nearly as varied a career as its author. Playwright Joseph Stein (“Fiddler on the Roof”) turned it into a Broadway play (1963), a film (1967), a Broadway musical that famously flopped (1976) and then, with director Stuart Ross, a successful off-Broadway … Read more
Paul Birchall – Stage Raw In today’s world of “Fifty Shades of Blech,” where young ladies of intelligence and means agree to be subjected to dominating brutes who whack them with neck ties and do terrible things with handcuffs and strings of beads, what a pleasure it is to be reminded of more civilized times, … Read more
Neal Weaver – Stage Raw What happens when you construct a mashup of Shakespeare with a Quentin Tarantino movie? The result is a convoluted plot, with pseudo-Elizabethan dialogue, and masses of violence, throat-cuttings, and general death and destruction, delivered via blunderbus, sword, dagger, or in one case by an overdose of cocaine. Read more… Now running … Read more
Deborah Klugman – Stage Raw We’ve all known folks with outsized perspectives on their own talent or worth. Justin Tanner’s funny hour-long play turns on an encounter between Ginny (Laurie Metcalf), a screechy community theater performer with diva aspirations, and Nate (French Stewart), a reserved but financially pressed vocal coach who reluctantly agrees to give … Read more
Jonas Schwartz – Arts In LA Gigi Bermingham is well-known in Los Angeles for her performances, comedic and dramatic. Recently, these have included leading roles in Terrence McNally’s Master Class at International City Theatre and Non-Vital Organs at Skylight Theatre. She also directs, lately for Antaeus Theatre Company (You Can’t Take It With You) and Sierra Madre Playhouse (An … Read more
Jonas Schwartz – TheaterMania In 2003, the Latin-American troupe Culture Clash presented Chavez Ravine, a mixture of history, comedy, and outrage, at the Mark Taper Forum. Now the group has, in its own words, “remixed, relived, reloaded” its sociopolitical piece, this time at the more intimate Kirk Douglas Theatre. Read more…
Steven Leigh Morris – LA Weekly …With diamond studs in her horned-rimmed glasses, the purple-wigged, megalomaniac alter ego of 80-year-old Australian Barry Humphries spends much of the evening goading her Ahmanson Theatre audience. Read more… Bob Verini – Arts In LA Dame Edna! The mere title and name connote rapier wit, lightly off-color insults, and self-obsession, … Read more