Paul Birchall – Stage Raw The shadow of Eugene O’Neill looms large over the plot and writing of playwright Chris Collins’ angry family drama. That’s not a bad thing, mind you, as Collins lays the sadness and rage on so thick…
Paul Birchall – Stage Raw Although it’s dangerous to impose our own political leanings on works of the past, Moliere’s 1662 sex farce could in many ways be considered a bona fide feminist tract. Read more… Now running through May 7.
Deborah Klugman – Stage Raw In 1833, African-American actor Ira Aldridge became the first man of color ever to play Othello on the London stage, replacing the acclaimed English tragedian Edmund Kean after Kean became ill. This was, not-coincidentally, the same year that a…
Pauline Adamek – Stage Raw Janet Valdez Cole’s semi-autobiographical musical, co-written with solo performer Deedee O’Malley, is a fun romp that traces the trials and tribulations of an aspiring actress. Read more… Now running through April 24.
Bob Verini – Stage Raw One might have expected that accomplished actor but novice playwright Jesse Eisenberg (The Social Network, Batman v Superman) would be more adept at creating characters for The Revisionist than knowing what to do with them. Read more… Now…
Neal Weaver – Stage Raw When critic Walter Kerr reviewed the musical Zorba, he observed that it was the only musical he’d ever seen where he actively hated the chorus. This show, with book, music and lyrics by Molly Bell, is…
David C. Nichols – LA Times An extraordinary merger of cinematic and theatrical art suffuses “Historia de Amor,” which concludes its North American premiere engagement at REDCAT on Sunday. This mordant, uncommonly arresting production from Chile’s acclaimed Teatrocinema troupe doesn’t just borrow…
Lovell Estell III – Stage Raw In the pantheon of African-American playwrights, the name Charles Gordone isn’t as well-known as others like Lorraine Hansberry or August Wilson. But he was the first black playwright to receive a Pulitzer Prize, and…
Deborah Klugman – Stage Raw Writer/solo performer Barbara Tarbuck has titled her vibrant one-act Stopping By, a phrase that calls to mind Robert Frost’s iconic poem, Stopping By Woods on a Snowy Evening, with its meditation (as I interpret it anyway) on human…
Paul Birchall – Stage Raw I think there will always be people who ask “Why on earth do another production of Othello? What more can you say than hasn’t already been said?“ Fortunately, director Melissa Chalsma’s crackling production of Shakespeare’s spite-fest…