
AJAX IN IRAQ at the Miles Memorial Playhouse
David C. Nichols – LA Times Sophocles and post-traumatic stress disorder commingle in “Ajax in Iraq” at the Miles Memorial Playhouse, to dazzling, disturbing effect. Read more… Now running through June 1.
David C. Nichols – LA Times Sophocles and post-traumatic stress disorder commingle in “Ajax in Iraq” at the Miles Memorial Playhouse, to dazzling, disturbing effect. Read more… Now running through June 1.
Deborah Klugman – Stage Raw Hungarian playwright Ferenc Molnar’s The Guardsman has been viewed in this country mostly as a theatrical confection, an entertaining comedy about a jealous actor who undertakes an elaborate charade to establish his wife’s fidelity, or lack thereof.…
Pauline Adamek – Stage Raw Writer-director Sharon Pollock’s sluggish two-hour, two-act play attempts to dramatize the mystery of the Lizzie Borden murders with a puzzle-like plot, but her convoluted approach and inept staging simply make for a confusing and excruciating…
Neal Weaver – Stage Raw Shirl Hendryx’s play is set in an inn on a small Mediterranean island off the coast of Greece, where a group of movie-makers have gathered to prepare for a location shoot. Socially conscious American movie…
Dany Margolies – Arts In LA Late in their lives, a man and woman meet cute at a New Jersey dog park. He’s an easygoing, teasing but overly friendly chap. She’s a dignified, pretty but fearful gal. “Oh, no,” one…
Neal Weaver – ArtsInLA The newly formed Australian Theatre Company was launched April 23 (Shakespeare’s birthday) by producers Nick Hardcastle and Nate Jones, with the intention of creating opportunities for Australian actors, directors, and writers living in LA, and introducing…
Myron Meisel – The Hollywood Reporter A Delicate Balance (1967) won the Pulitzer Prize shamefully denied Edward Albee for Who’s Afraid of Virginia Woolf?. Spiky, stilted and maybe maddening to many, it was probably the most abstruse honoree at that point in…
Neal Weaver – Stage Raw It was probably historically inevitable that N. Richard Nash’s Broadway comedy The Rainmaker would have been turned into a musical by Nash, working with the creators of The Fantasticks, Harvey Schmidt (music) and Tom Jones (lyrics). Read more… Now…
Bob Verini – Arts In LA Kimber Lee’s different words for the same thing, directed by Neel Keller, seems intended as an Our Townfor our time. Like the Thornton Wilder classic, it takes a cross-section of a little burg to investigate themes…
Bob Verini – Arts In LA 3D Theatricals has been pulling off ambitious offerings in its spacious Plummer Auditorium digs in Fullerton. I wasn’t able to catch 2013’s acclaimed Parade, though early this year I thoroughly enjoyed a fresh and clever The…