F. Kathleen Foley – Stage Raw Despite the limitations of the production, it’s still great fun to ferret out the undercurrents in this timely play — a reminder that Ionesco’s enduring reputation as a theatrical provocateur is well-warranted. Read more…
Harker Jones – BroadwayWorld “Murder After Hours” is exquisitely well done and will keep you guessing up until the affecting and surprising end. Read more…
Travis Michael Holder – TicketHoldersLA Methinks Abby Rosebrock is a playwright to watch. Her quirky revelation-a-minute plot and nonstop clever dialogue chockful of double entendres and thrown-away one-liners is skillfully mixed with a survivor’s instinct that eviscerates the selfish and…
Katie Buenneke – Theater Digest Company on tour at the Pantages [LA]. I had seen this production in London in 2018 and really loved it then, but I wasn’t sure how much more it would resonate seeing it 6 years…
Travis Michael Holder – TicketHoldersLA “Love is Company,” the lyrics of the late-great Stephen Sondheim’s title song of his groundbreaking 1970 classic tells us, and the slice of our collective and most tenuous lives explored in this fresh gender-bending interpretation…
Tracey Paleo – Gia On The Move CLUE is simply the zaniest! This end-of-season offering is a stellar, screwball noir. Maybe even, the Ahmanson’s all-around best all year. Read more… Harker Jones – BroadwayWorld Filled with puns and pratfalls,…
Dana Martin – Stage Raw Camelot is a utopian fantasy kingdom that champions the chivalry of the pure-hearted, endlessly courageous Knights of the Round Table, who clear the way for a civilized, peaceful and fair society that depends on humans…
Patrick Chavis – LA Theatre Bites Podcast 9 out of 10! Exceptional Show! LA Theatre Bites Recommended! Listen here…
Patrick Chavis – LA Theatre Bites Podcast 8.8 out of 10! Great Show! LA Theatre Bites Recommended! Listen more… Terry Morgan – ArtsBeatLA Fans of history can’t help but wish they were there for private, unrecorded conversations between famed…
Jonas Schwartz – Theatermania Jon Robin Baitz’s The Substance of Fire could be a sincere one-act about two people ruled by rage who make themselves vulnerable to each other. Unfortunately in this production, the second act is shackled to a…