LADCC Critics 
Deborah Klugman – Stage Raw In Bayou Blues, part of the 2018 Solo Queens Fest at Bootleg Theatre, writer/performer Shaina Lynn mixes storytelling and spoken word to relay her experience as a woman of color from New Orleans.Read more… Now running through November 18
Deborah Klugman – Stage Raw Although Bliss (Or Emily Post is Dead!), is set in North Orange, New Jersey in the 1960s, a rudimentary knowledge of Greek mythology is helpful in fathoming the themes of Jami Brandli’s ambitious but muddled satire, directed by Darin Anthony.Read more… Now running through December 2
Erin Conley – On Stage & Screen Two immigrant families, one Mexican and one Japanese-American, have lived peacefully as neighbors on a ranch in the Santa Clara Valley for years, working together in the fields. The oldest children from each family have even fallen in love with each other—and then Pearl Harbor happens, and soon … Read more
Erin Conley – On Stage & Screen The actual “cost of living” can take on many forms—physical, emotional, financial. In Cost of Living, Martyna Majok’s 2018 Pulitzer Prize-winning play now in its west coast premiere at the Fountain Theatre in Los Angeles, two very different relationships between people with disabilities and their caregivers are examined through … Read more
Ellen Dostal – BroadwayWorld New work is the lifeblood of the theatre and it is also the sole focus of LA-based SkyPilot Theatre Company. Going one step further, SkyPilot’s niche is “producing only original plays, created by LA playwrights,” which they have done consistently since 2010.Read more… Now running through November 18
Ellen Dostal – Musicals in LA Maureen Huskey’s new one act play with music takes place wholly in the moment before death. Conceived as a 90 minute suspension of time in which Alice B. Sheldon (Betsy Moore) watches her life pass before her eyes, it blends music, movement, sound, and text to create as enigmatic a … Read more
Erin Conley – On Stage & Screen Sometimes, family can bring out the worst in us—especially if your relatives would do anything to get to the top.Read more… Terry Morgan – Talkin’ Broadway Sometimes a play simply works within its own era, and exists later simply as an accurate representation of that time. But other … Read more
Margaret Gray – LA Times There’s nothing scary, at first, about Rudolph, the elderly gentleman who shows up at Albert and Bettina’s house one Christmas Eve in “Winter Solstice,” a 2013 play by the German writer Roland Schimmelpfennig, translated by David Tushingham, which is having its West Coast premiere at City Garage.Read more… Katie Buenneke … Read more
Terry Morgan – Stage Raw Translating personal experiences or family history into theatre can be a tricky proposition. On the one hand, simply recounting events as they happened doesn’t necessarily create fascinating drama. On the other hand, fictionalizing things too much may betray the truth of the story.Read more… Now running through November 18
Erin Conley – On Stage & Screen What happens when a popular television personality finds himself in the middle of a scandal? This topical question is at the center of Quack, a world premiere play by Eliza Clark currently playing at Center Theatre Group’s Kirk Douglas Theatre.Read more… Dany Margolies – The Daily News When Neel … Read more