LADCC Critics

THE YEAR WITHOUT A SANTANA CLAUS – Troubadour Theater Company at The El Portal Theatre

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Ellen Dostal – BroadwayWorld What would Christmas in LA be without the Troubies? A lot less funny. Happily, artistic director, writer, and head jokester Matt “Mashup” Walker and his coterie of clowns aren’t about to let anyone down. Not only are they back with their seventeenth annual holiday show, they’re proving just how smart they … Read more

LOVE ACTUALLY LIVE at the Wallis Annenberg Center for the Performing Arts

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Ellen Dostal – BroadwayWorld The countdown to Christmas begins and ends with an all-out love blitz this year in For the Record’s latest world premiere, LOVE ACTUALLY LIVE, a hybrid entertainment that blends scenes from Richard Curtis‘ 2003 film Love Actually with live performances of the movie’s soundtrack. Co-produced by the Wallis Annenberg Center for the Performing Arts, … Read more

DIXIE’S TUPPERWARE PARTY at the Kirk Douglas Theatre

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Dany Margolies – The Daily News Sure, “Dixie’s Tupperware Party” keeps its audience amused. The show also educates, teaching us a bit about the history of Tupperware and the woman, Brownie Wise, who invented the Tupperware party. But mostly, at least if you’re interested in comedy as an art form, this solo show is mighty … Read more

MIDDLE8 at the Stella Adler Theatre

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Margaret Gray – LA Times The eponymous, fictional Kansas City rock band in Stefan Marks’ new play, “Middle8,” now at the Stella Adler Theatre in Hollywood, almost made it big — 20-some years ago. Now losing their hair, paunchy, slogging away at ordinary jobs to support ordinary families, the five of them are still haunted … Read more

A MILE IN MY SHOES at the Hudson Backstage Theatre

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Deborah Klugman – Stage Raw In A Mile in My Shoes, writer and solo performer Kathryn Taylor Smith dramatizes the crisis in homelessness by portraying various homeless people and some of the community figures who interact with them. The production has heart and a message that needs to be heard, but its staging requires some finessing … Read more

COME FROM AWAY at the Ahmanson Theatre

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Erin Conley – On Stage & Screen On paper, it feels a bit wrong to call a musical about September 11th, 2001 “uplifting.” It is easy to wonder how that could possibly be true…until seeing Come From Away, a true marvel of a show that manages to take a large story everyone knows about one … Read more

SHOWPONY at the Victory Theatre

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Lovell Estell III — Stage Raw Like so many of our social and/or cultural environments, today’s workplace is radically different from what it was many decades ago when the centers of power were pretty much the sole province of white males. American women had their “stations,” and not too much concern was given over to … Read more

MEASURE FOR MEASURE at The New American Theatre

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Terry Morgan  –  Stage Raw  Plays taken out of the context of their own times can be troublesome. For instance, modern theatres have struggled to deal with the racist portrayal of Shylock in The Merchant of Venice, to the extent that a recent production, Everything That Never Happened, revised the play’s events to relay them from Shylock’s daughter’s … Read more