Jonas Schwartz – TheaterMania
Cabaret has undergone much alteration from Harold Prince’s original 1966 Broadway production. In 1972, wunderkind Bob Fosse revamped the story line for the film version, commissioning the composer John Kander and lyricist Fred Ebb to write new songs, such as “Mein Herr,” “Money,” and the pair’s trunk song “Maybe This Time.”
Rob Stevens – Haines His Way
John Kander/Fred Ebb/Joe Masteroff’s Cabaret premiered in 1966 at the height of America’s civil rights struggle and producer/director Hal Prince shaped the musical “to show how racism can happen here” even though the action of the script was set in early 1930s as the Nazi Party rose to power in Germany and began the racial cleansing of its Jewish population.
Ellen Dostal – Musicals in LA
Even if all they do is take the expected route, most productions of Kander & Ebb’s Cabaret are effective. Emphasize the sex and decadence rampant in Berlin during the end of the Weimar era as Hitler was coming into power and the show predictably succeeds in driving home its point – that distractions like the Kit Kat Klub helped people ignore what was happening politically until it was too late.
But that isn’t this Cabaret.
Everything about director Larry Carpenter’s blistering production of Cabaret is volatile in a way you’ve not seen before
Now running through February 11