Bob Verini – Arts In LA For Tartuffe to achieve maximum comic, emotional, and thematic impact, the privileged Orgon must serve as the central figure. He must be a misanthrope (a type not unknown to Molière) well and truly disgusted with the world’s vanities as typified by his frivolous, feckless family. Orgon’s profound despair explains his retreat into … Read more
Dany Margolies – Arts In LA The score of the classic Fiddler on the Roof is among American musical theater’s best. In this production, the music and lyrics get top-tier treatment. But the direction misses opportunities, while so tightly cramming performers into scenes that the audience may fear for the performers’ safety. Among those squandered elements, a … Read more
Neal Weaver – Arts In LA The central character in Ken Ludwig’s farce is famous Italian tenor Tito Merelli (Floyd Vanbuskirk), who’s scheduled to appear in the title role in Verdi’s Otello for the Cleveland Opera Company. But Tito is well-known for his heavy drinking, womanizing, and general troublemaking. On the day of the performance, Tito has … Read more
Dany Margolies – Arts In LA “A movie is cold comfort for a man who loves the theater,” says Alfie Byrne, this musical’s hero. That pretty much sets the tone for the character and for this show. Its major themes will be the making of art and admitting who we are. And the art here will … Read more
Bob Verini – Arts In LA Gregory S Moss’s Reunion at South Coast Rep is a capable production of a mostly derivative, predictable text, one most likely to be enjoyed by those with a real appetite for late ’80s nostalgia and a high tolerance for characters’ wild mood swings into and out of melodrama. A lot of … Read more
Deborah Klugman – Stage Raw Salani (Jennifer Hubilla), the central character in Velina Hasu Houston’s charmless chick lit musical, is a lovely orphaned teen, an upright individual who must contend with poverty, hard labor, and arrogant or lustful employers before triumphantly attaining freedom and self-realization. The story is set in British Ceylon circa 1939; Read more… Neal Weaver – … Read more
Margaret Gray – LA Times In Greg Pierce’s “Slowgirl” at the Geffen Playhouse, 17-year-old Becky (Rae Gray) comes to visit her Uncle Sterling (William Petersen), who left the U.S. years earlier for Costa Rica. She’s freaked out by his primitive jungle lifestyle, which is charmingly evoked by Richard Woodbury’s sound design and the tropical leaves … Read more
Bob Verini – Arts In LA Poor Dog Group’s ambitious Five Small Fires explores the phenomenon of cults, particularly the behavior of those who find a haven within them. The Cal Arts–rooted collective professes to have been exploring cults and ritual for a long time, though if it has been thinking much about the types and motivations … Read more
Deborah Klugman – ArtsBeatLA Sporting a message of sisterhood and tolerance, Wendy Graf’s well-intentioned but clumsy drama builds around two half-sisters: Julia (Diarra Kilpatrick), an ambitious attorney living and working in Manhattan, and Neyla (Yvonne Huff), her newly discovered sibling, whom Julia’s father had sired when he was a soldier in Iraq. Read more… Dany Margolies – Arts … Read more
Margaret Gray – LA Times For much of Samuel Brett Williams’ “Derby Day,” in its L.A. premiere at the Elephant Theatre (which gave Williams’ “Revelation” its world premiere last year), the sole sympathetic character onstage is Becky (Kimberly Alexander), a waitress at Oaklawn Park Race Track in Arkansas. Read more… Neal Weaver – Arts in LA You … Read more