Martín Hernández – Stage Raw Working in tandem, director Cameron Watson, the ensemble, and the tech designers deliver an enticing production that mines (Kelly) Younger’s humor and pathos with equal assurance. Read more… Anita W. Harris – LA Theatrix Who knew inkblots could say so much? Hermann Rorschach, for one, who in the early 1920s … Read more
Rob Stevens – Haines His Way Cameron Watson has directed with pinpoint clarity and permits his actors to live and breathe their dialogue. Brenneman commands the stage from the opening moments to the closing. Her Bella is an enigma that will never really be solved. Keith matches her scene by scene. They truly form a … Read more
Dana Martin – Stage Raw Rebecca O’Brien is determined to survive. Getting There, written and performed by O’Brien and directed by Cameron Watson, is a story that circles the biggest battle of her life: breast cancer. The one-hour solo show is part of the Hollywood Fringe Festival and is now playing at the Hudson Guild … Read more
Deborah Klugman – Stage Raw Beloved, a world premiere play by Canadian playwright Arthur Holden, opens in a waiting room outside a counsellor’s office at a posh school, where an affluent upper-middle-aged couple await news of their son. Thirty minutes have gone by since they’ve arrived, and no one has summoned them in, or explained why … Read more
Deborah Klugman – LA Weekly In concept, Stephen Sachs’ Dream Catcher at the Fountain Theatre is a timely play. Directed by Cameron Watson, it details a clash between a young engineer involved in designing a solar-energy plant that would help combat global warming, and a poorly educated Native American woman who objects to the project because it … Read more
Les Spindle – Edge on the Net In its shimmering revival of William Inge’s steamy 1953 classic, “Picnic,” the classics-focused Antaeus Theatre Company serves up a theatrical feast. Read more… David C. Nichols – LA Times The intimacy of small-town life and its stifling limitations permeate “Picnic,” which the thoughtfully representative staging at Antaeus Theater Company underscores without … Read more
Les Spindle – Edge on the Net Also known as “Cockfight Play,” a perhaps less threatening title preferred in some media outlets, Mike Bartlett’s Olivier Award winning British play, “Cock,” makes its L.A. debut in a taut and terrific staging. Read more… Margaret Gray – LA Times “We’re just going around in circles,” a character accurately observes in … Read more