Harker Jones – BroadwayWorld. Tony-nominated playwright Lucas Hnath’s THE THIN PLACE is an eerie meditation on grief, regret and the need for closure, though it is undermined by the lack of a satisfying conclusion… Obie Award- and Outer Critics Circle Award-winning Hnath (“Red Speedo”; “A Doll’s House, Part 2”) carefully delineates each character with precise … Read more
Rob Stevens – Haines His Way In 1879, Norwegian playwright Henrik Ibsen shook up the theatrical world with his “feminist” play A Doll’s House. In 2017, up and coming young American playwright Lucas Hnath wrote a sequel, A Doll’s House, Part 2, that picked up the action 15 years later. Read more… Steven Leigh Morris – Stage Raw … Read more
Terry Morgan – Artsbeat LA I have a rule about avant-garde theater: if an artist chooses to deliberately obscure his/her/their meaning via unusual methods or flirts dangerously with pretentiousness, the play had better validate those choices by demonstrating how they were necessary. Most experimental pieces, in my experience, fail that test, but when they succeed … Read more
Erin Conley – On Stage & Screen When playwright Lucas Hnath (A Doll’s House, Part Two, The Christians) was in college, his mother, Dana Higginbotham, went through a traumatizing ordeal. Dana struggled to speak about this painful experience with her son, so he eventually had fellow theater creator and collaborator Steve Cosson interview her about it. … Read more
Lovell Estell III — Stage Raw The legendary Vince Lombardi once declared that, “Winning isn’t everything; it’s the only thing.” (Actually the slogan was first voiced by UCLA Bruins football coach Henry Russell “Red” Sanders in 1950; Lombardi probably got it from him). It has now become a venerated mantra, a toxic call to action willingly embraced … Read more