Deborah Klugman – LA Weekly In concept, Stephen Sachs’ Dream Catcher at the Fountain Theatre is a timely play. Directed by Cameron Watson, it details a clash between a young engineer involved in designing a solar-energy plant that would help combat global warming, and a poorly educated Native American woman who objects to the project because it … Read more
Jonas Schwartz – Arts In LA The concept framing Long Beach Opera’s Candide, of life as a first rehearsal, is apt. We’re given little stage direction and then blindly stumble through this world. So the title character—after discovering that life is tragic, cruel, and random—learns that the best one can do to survive is to find … Read more
Myron Meisel – Stage Raw …James Lecesne conjures up a community in his a guest production in a brief run at the Kirk Douglas after a successful New York run, winning this year’s United Solo Special Award. Read more… Now running through January 31.
Myron Meisel – Stage Raw …Will Eno’s acclaimed Thom Pain (based on nothing) arrives in Los Angeles after a decade of playing virtually everywhere else. Read more… Jonas Schwartz – TheaterMania Thom Pain is antagonistic toward his audience. He shouts at them, starts tangents that he suddenly drops, draws seemingly interminable pauses, and rambles on about stories that lead … Read more
Margaret Gray – LA Times It happens so often in Iowa that the housewives have come to expect it: Moments after their husbands and children head off to the state fair, hunky photographers arrive, asking directions to picturesque bridges. The photographers have drifters’ souls and hide from true intimacy behind their cameras. Read more… Myron Meisel … Read more
Myron Meisel – Stage Raw As a theater critic, I find myself writing perhaps disproportionally about plays with race, gender and sexuality issues — those subjects being responsible for a disproportionate amount of the most meaningful work being created — for which I am arguably ill-equipped to discuss, falling back on the presumptive faith that … Read more
Bob Verini – Stage Raw The committed theatergoer, confronted with the prospect of a play set in Ireland, may well inquire, “First of all, is it one of the light ones or one of the dark ones?” Read more… Jonas Schwartz – TheaterMania Outside Mullingar feels like a memory play of the distant past that is set … Read more
Myron Meisel – Stage Raw Since its founding in 2010, The Industry, under the daring leadership of artistic director Yuval Sharon, has pursued a new media makeover meant to shake up not merely the Los Angeles opera world but the world at large. Its extraordinary coup de theatre, 2013’s Invisible Cities, commandeered Union Station as singers and … Read more
Bob Verini – Arts In LA Greenway Court Theatre’s Breathing Room is a 70-minute metaphysical self-help session, scored to electric violin and synthesizer and incorporating quantum theory. It insists that people are debilitated by overwhelming technological change, and it recommends an extended time-out to develop a fresh perspective on the natural world. Read more… Myron Meisel – Stage … Read more
Myron Meisel – Stage Raw …it is piquantly paradoxical that such a determined ironist as Jean Anouilh (Becket, Waltz of the Toreadors, The Lark), the most commercially and critically successful French playwright internationally immediately following the Second World War, now can be seen to exemplify some of the pitfalls of logical colloquy. Read more… Now running … Read more