Terry Morgan – Stage Raw Watching this excellent current revival of Robert Harling’s Steel Magnolias at Actors Co-op, I was reminded yet again of the power of a strong ensemble. Solo shows and two-handers certainly have their place, but there is something about the interaction among a group of talented actors, where many things combine to become … Read more
Ellen Dostal – BroadwayWorld The best way to characterize Mary Zimmerman’s adaptation of the mythical tale of Jason and the Argonauts is as a playground for adults in which theatre artists use every storytelling trick in the book to bring gods, monsters, mortals, and kings to life. Puppets, masks, stilts and aerial silks trade stage … Read more
Erin Conley – On Stage & Screen Believe it or not, the characters in the musical version of Charlie and the Chocolate Factory do not actually enter the titular chocolate factory until the very end of act one. That’s right, over an hour in to this perplexing adaptation there is nary an Oompa Loompa in sight.Read more… … Read more
Rob Stevens – Haines His Way When Albert Einstein died of a brain aneurysm at Princeton Hospital in 1955, the pathologist who performed the autopsy ended up stealing Einstein’s brain. The physicist had left specific instructions for his remains to be cremated, and they were, except for his eyes and his brain. Dr. Thomas Harvey eventually … Read more
Dany Margolies – The Daily News If you had a perfectly happy childhood with ideal parents, good for you. Tennessee Williams did not, and this led to some of literature’s most-affecting, most-enduring plays. Many in his audiences didn’t, either, and that’s why we keep coming back to his classics, particularly “The Glass Menagerie.” Indeed, its … Read more
Deborah Klugman – Stage Raw Charles Gordone’s smoldering drama aptly encapsulates the protest, violence and tumultuous change seen in America’s urban cities in the 1960s. The play debuted off-Broadway in 1969, garnering Gordone a Pulitzer in 1970, the first win by an African-American playwright.Read more… Rob Stevens – Haines His Way Charles Gordone’s 1969 No … Read more
Katie Buenneke – Stage Raw Ragtime has got to be up there with Oklahoma! as one of the most undeniably American musicals of all time, and it has finally come home to Southern California. Lynn Ahrens and Stephen Flaherty’s musical made its U.S. premiere at the now-demolished Shubert Theatre in Century City in 1997, before opening on Broadway … Read more
Jonas Schwartz – Arts In LA Playwright Martin McDonagh has mastered the art of slamming razor-sharp dark humor into sentimentality. The humor is always fierce, but he allows the audience to connect with the characters even in his works’ most perverse moments.Read more… Rob Stevens – Haines His Way Irish writer Martin McDonagh is now … Read more
Lovell Estell III — Stage Raw Some seventy plus years after it was first published, Anne Frank’s heartrending story still tugs irresistibly at the heart. Wendy Kesselman’s adaptation of the original play by Frances Goodrich and Albert Hackett has special significance for our highly contentious political climate.Read more… Rob Stevens – Haines His Way For … Read more
Erin Conley – On Stage & Screen On paper, it feels a bit wrong to call a musical about September 11th, 2001 “uplifting.” It is easy to wonder how that could possibly be true…until seeing Come From Away, a true marvel of a show that manages to take a large story everyone knows about one … Read more