Pauline Adamek – Stage Raw Playwright-performer Lynn Downey Braswell was apparently so taken by Shauna Niequist’s 2007 memoir/short story collection that she adapted it to become her stage vehicle. Portraying Shauna, the show’s narrator, Braswell’s frank, confessional and sometimes amusing style of performance serves the material well. Read more… Now running through June 29.
Deborah Klugman – Stage Raw In Gary Lennon’s regrettably overwritten comedy, directed by Wilson Milam, Elizabeth Regen plays Eve, a fierce and fiery drama queen searching desperately for love on the streets and in the bars of NYC’s Lower East Side. Read more… Now running through July 12.
Bob Verini – Stage Raw South Coast Repertory’s Tartuffe is something to witness, in every sense of the phrase. Audacious and thought-provoking, maddening and enlightening by turns, it’s a worthy addition to the venerable company’s anniversary celebration in its categorical refusal to follow a conventional pathway to the classic that kicked off SCR operations a half-century ago. Read … Read more
Terry Morgan – Stage Raw Theatre West’s “Writers in Rep” program provides a great opportunity for playwrights, giving two new plays a repertory slot in the season. These are coveted full productions that spotlight new works. Unfortunately, one of these plays, Charlie Mount’s Against The Wall, a comedy about comedians, doesn’t fulfill its humorous promise. I … Read more
Bob Verini – Arts In LA Rogue Machine has turned itself into the go-to organization for provocative two-handers. If Rajiv Joseph’s Gruesome Playground Injuries lacks the dread of 2011’s Blackbird or the contemporary relevance of 2013’s Dying City, this production, directed by Larissa Kokernot, demonstrates anew the Pico Boulevard company’s knack for finding something precious in the confrontation of one … Read more
Margaret Gray – LA Times Whenever I read about the artistic scandals of the past — the near-riot provoked by Stravinsky’s “The Rite of Spring,” for example — I glumly conclude that we have grown so jaded that art has lost its power to appall. Read more… Steven Leigh Morris – Stage Raw Playwright Alice Tuan’s … Read more
Deborah Klugman – Stage Raw Hungarian playwright Ferenc Molnar’s The Guardsman has been viewed in this country mostly as a theatrical confection, an entertaining comedy about a jealous actor who undertakes an elaborate charade to establish his wife’s fidelity, or lack thereof. Alfred Lunt and Lynne Fontanne brought it to the stage in 1924, then reprised their … Read more
Pauline Adamek – Stage Raw Writer-director Sharon Pollock’s sluggish two-hour, two-act play attempts to dramatize the mystery of the Lizzie Borden murders with a puzzle-like plot, but her convoluted approach and inept staging simply make for a confusing and excruciating experience. Read more… Now playing through June 15.
Neal Weaver – Stage Raw Shirl Hendryx’s play is set in an inn on a small Mediterranean island off the coast of Greece, where a group of movie-makers have gathered to prepare for a location shoot. Socially conscious American movie star Branson (Richard Chassler), who’s scheduled to head the cast, has insisted on the hiring … Read more
Myron Meisel – The Hollywood Reporter A Delicate Balance (1967) won the Pulitzer Prize shamefully denied Edward Albee for Who’s Afraid of Virginia Woolf?. Spiky, stilted and maybe maddening to many, it was probably the most abstruse honoree at that point in the award’s history. Albee managed the difficult feat of being muskily dated and vanguardishly visionary … Read more