Terry Morgan – Stage Raw Playwright Richard Willett has interesting things to say about the current state of the medical industry, though the difficulty inherent in writing a “message play,” such as this one – a world premiere production at…
Terry Morgan – ArtsBeat LA As the saying goes, the more things change, the more they stay the same. Technology zooms forward, but human nature remains stubbornly persistent. Thus a play such as Anton Chekhov’s Uncle Vanya, which premiered in 1899, can…
Terry Morgan – Arts Beat LA At this point, Shakespeare’s Hamlet is a theatrical peak so frequently attempted that you can see, as on Everest, the frozen bodies of thespians who chanced and failed the perilous ascent on the way. And yet…
Terry Morgan – Stage Raw If one reads in the press that a new play is a “minstrel show,” it might give one pause about seeing said show. Historically, minstrel shows were racist entertainment in which White people wearing “blackface”…
Terry Morgan – Artsbeat LA Bitchiness, thy name is Albee. Has there ever been a play that reveled in so much in mean-spirited badinage as Edward Albee’s Who’s Afraid of Virginia Woolf? Sour wit courses through the blackened veins of this show…