WHAT HAPPENED WHEN at Atwater Village Theatre

Ellen Dostal – BroadwayWorld The air between the words is so thick you could cut it with a knife in Daniel Talbott‘s shadowy play about three siblings attempting to survive their dysfunctional family. Each is broken in his or her own way and, as the hairball unravels, the audience must piece together their fragmented story over … Read more

AKUMA-SHIN at the Broadwater Main Stage

Terry Morgan  –  Stage Raw  Alternate reality stories have long been popular, and there are a couple of main reasons for their appeal. First, it’s just fun to extrapolate how history might have proceeded if things had been different. Second, these stories provide an opportunity for authors to use a fictional reality to comment upon … Read more

AN UNDIVIDED HEART at Atwater Village Theater

Deborah Klugman – Capital & Main Directed by Chris Fields, Yusuf Toropov’s An Undivided Heart, co-produced by the Echo Theater Company and the Circle X Theatre Co., is an aspiring work that aims to be deep but doesn’t get there. Read more… Terry Morgan  –  Stage Raw  Any play that starts with a kid standing next to a burning typewriter … Read more

BINGO HALL – Native Voices at the Autry Museum

Terry Morgan  –  Stage Raw  One of the nice things about being a theatregoer in Los Angeles is the diversity of theatre one is able to enjoy. On any given weekend, there are shows up at East West Players (which specializes in Asian American work), Ebony Repertory Theatre (which explores the African-American experience) or at … Read more

SIX CHARACTERS IN SEARCH OF A PLAY at the Celebration Theatre

Terry Morgan  –  Stage Raw  There’s little that chills the blood of a theatre critic more than the three words “one-man show.” When these things are bad, they tend to be especially so, and unlike a usual play, there’s nothing else to distract one from the spectacle. On the other hand, when they’re good, they … Read more

A STREETCAR NAMED DESIRE at Boston Court Performing Arts Center

Terry Morgan  –  Talkin’ Broadway Often, when classic plays are “updated” or “reimagined,” the implication is that the work needed such treatment to remain relevant to a modern audience. In my experience, this rarely is the case, and such reinventions are generally more of a way for a director to stamp his or her stylistic … Read more

IRONBOUND at the Geffen Playhouse

Erin Conley – On Stage & Screen At what point in life must you be willing to sacrifice happiness for survival? Ironbound, a play by Martyna Majok currently in its west coast premiere at the Geffen Playhouse in Los Angeles, tells the story of Darja (Marin Ireland), a Polish immigrant struggling to build a life … Read more

SHAKESPEARE IN LOVE at South Coast Repertory

Terry Morgan  –  Talkin’ Broadway These days, films are regularly being converted into musicals, some which actually benefit from the change. It’s rarer to see a film made into a dramatic play, perhaps because of the belief that there’s less box office profit to be had.Read more… The 1998 period romantic comedy Shakespeare in Love … Read more

THE HOTHOUSE at Kiki & David Gindler Performing Arts Center

Erin Conley – On Stage & Screen It’s Christmas Day at a psychiatric hospital, and its director is having a stressful morning. Patient 6457 has unexpectedly died and patient 6459 has given birth, and neither event looks very good for the institution. As the day progresses, things only get more and more out of control … Read more

SMALL MOUTH SOUNDS at The Eli & Edythe Broad Stage

Terry Morgan  –  Stage Raw If film is primarily a visual medium, then theatre is mainly about the spoken word. The emphasis should fall upon “spoken.” Plays are meant to be performed, not read. So, when playwright Bess Wohl decided to make her play Small Mouth Sounds largely silent, she was adding a level of difficulty to … Read more