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Archive for The Mark Taper Forum

How did Angeles Stage mark its first birthday? Via UNCLE VANYA, DRIVE MY CAR

The cast of Uncle Vanya. Photo by Jeff Lorch

The cast of Uncle Vanya. Photo by Jeff Lorch

Plus a merry but muddled ‘Windsor’ at the Theatricum, ‘King James’ and two new musicals on opposite poles of the gender discussion.

Don Shirley – Angeles Stage

Angeles Stage first appeared a year ago, as masked audiences were beginning to return to LA stages in person, after more than a year of mostly virtual-only activity. I urged “LA theater,” which meant audiences as well as creators, to “rise and shine.” A lot of productions arose within greater LA during the past year.

Pasadena Playhouse’s “Uncle Vanya” shines more brightly than any other currently-running production I’ve seen…If you don’t know Anton Chekhov’s “Vanya,” or the acclaimed Japanese film “Drive My Car” that was deeply inspired by “Vanya,” now is a great opportunity to combine them into a powerful one-two exploration of the all-too-human emotions that adults frequently face, at least during the last couple of centuries. Read more…


Joan Marcus

Joan Marcus

Erin Conley – On Stage & Screen

When playwright Heidi Schreck was in high school, she traveled the country participating in Constitutional debate competitions. It was primarily a scheme cooked up by her mother to pay for college tuition with prize money (it worked), and she became an expert at defending or opposing various amendments to panels of judges that almost always consisted of exclusively old, white men.
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Deborah Klugman – Stage Raw

In attendance last Friday at What the Constitution Means to Me, Heidi Schreck’s droll insightful play directed by Oliver Butler at the Mark Taper Forum, I had the rare experience of  bonding with the rest of my fellow audience members.
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Rob Stevens – Haines His Way

Heidi Schreck’s What the Constitution Means to Me arrives as the Mark Taper Forum with a lot of advance hype—Tony Award and Pulitzer Prize nominations, etc. It certainly is relevant given the current political climate in the United States……
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Now running through February 28

A PLAY IS A POEM at The Mark Taper Forum

Craig  Schwartz

Craig Schwartz

Terry Morgan  -  Stage Raw

Ethan Coen is one of the greatest screenwriters of the past 50 years, with some of his works — Miller’s CrossingFargo and The Big Lebowski — standing as masterworks of the form. He’s also an accomplished short story author and poet, as attested to by Gates of Eden and The Drunken Driver Has the Right of Way, respectively. So, it’s disappointing to report that his new show at the Taper, A Play Is a Poem, is at best a mildly amusing collection of four short plays, with an implacably bad, tough-to-endure one-act positioned right at the center.

Now running through October 13