Bob Verini – Arts in LA So you’re a distinguished playwright in your early 60s: a very Chekhovian age; an age when the mind drifts toward dreams once grasped, then compromised, then lost, and fixates on memories of simpler, happier times. You look around your Bucks County farmhouse and think, “Gosh, this looks a lot … Read more
Jonas Schwartz – TheaterMania The model for Bernard Weinraub’s play Above the Fold, premiering at the Pasadena Playhouse, is Tom Wolfe’s Pulitzer Prize winner Bonfire of the Vanities. Though parallels can be seen between both works, the indictment of politicians, the press, and Caucasian and African-American leaders for instigating and celebritizing the racial divide, Weinraub’s work also maintains … Read more
Pauline Adamek – ArtsBeatLA An exuberant celebration of language is the most apt description for actor Christopher Plummer’s self-created one-man show. A Word or Two is playing through February 9, 2014 at the Ahmanson Theatre, downtown LA. Early on in the show, Plummer selects a book from a heap and begins to read from a lectern. But this … Read more
Steven Leigh Morris – LA Weekly “That’s the story!” repeated with droll unctuousness becomes a motif in actor Barry McGovern’s solo performance of stories by Samuel Beckett, presented by the Gate Theatre of Dublin at the Kirk Douglas Theatre. The texts — “Molloy,” “Malone Dies” and “The Unnamable” — were selected by McGovern and Gerry … Read more