Terry Morgan – Stage Raw John Bunzel’s new play is reminiscent of David Mamet’s Glengarry Glen Ross, but more comedic in intent. The story takes place in the milieu of “wealth management” during a fictional financial catastrophe as the various characters attempt to screw each other over or profit from the chaos. Read more… Steven Leigh Morris – … Read more
Jenny Lower – Stage Raw “This is a horror story,” murmurs a voice from the darkness in A Small Fire, directed by Alana Dietze — the latest outing from the Echo Theater Company. The voice belongs to Emily (Lily Knight), a middle-aged woman who succumbs to an undefined medical condition that gradually chips away at her … Read more
Dany Margolies – Arts In LA The iconic musical Hair embodied the 1960s and that decade’s make love, not war, philosophy. A Chorus Line epitomized the 1970s and that decade’s obsession with self-analysis. What musical best represents the 1980s? Perhaps it’s Cats. Read more… Now running through May 10.
Deborah Klugman – LA Weekly Sometimes it’s OK to be predictable if what you have to say bears saying again. Immediate Family, Paul Oakley Stovall’s first play now making its L.A. debut at the Mark Taper Forum, starts out as a high-spirited comedy, a kind of super-polished sitcom that centers on a group of African-American … Read more
Melinda Schupmann – Arts In LA Though the original production of Side Show on Broadway closed after only 91 performances in 1997, in subsequent years it has been revived and modified from its original form. The original book and lyrics were created by Bill Russell with music by Henry Krieger. As a dramatic project, it … Read more
Bob Verini – Arts In LA Is there a more critic-proof title out there than Motown the Musical? Not only does it indicate exactly what it is (an overview of the recording powerhouse founded by Berry Gordy) and what it contains (three decades’ worth of soulful hits), but the audience at which it’s aimed couldn’t … Read more
David C. Nichols – LA Times Words not meant to misdirect are wasted,” says one of the combatants in “The Anarchist,” and at certain levels that might describe the whole thing. Read more… Neal Weaver – Stage Raw There’s something slightly inhuman about David Mamet’s play: It tells the tale of a former anarchist, Cathy (Felicity … Read more
Steven Leigh Morris – LA Weekly Ron Klier’s new play at Vs. Theatre Company, Gus’s Fashion & Shoes, is the second in a St. Louis–based trilogy about police/minority relations, Cops & Friends of Cops being the first in 2013. The third is yet to come. Read more… Margaret Gray – LA Times The characters in Ron Klier’s new play … Read more
Neal Weaver – Stage Raw This piece, written and directed by Angeliki Giannakopoulos, and based on her award-winning documentary film, takes a probing look at the lives of women whose children served in the armed forces during the wars in Iraq and Afghanistan. It provides an emotionally charged examination of their love, hopes, pride, fears, … Read more
Bob Verini – Stage Raw Talk about your call of the wild! The atavistic urge – the impulse to fall in with nature in its most primitive state – is an old standby in drama and literature, and it’s now being applied to strong effect in My Barking Dog, Eric Coble’s startling two-hander at the Theatre @ … Read more