Deborah Klugman – Stage Raw One way to tackle your demons is to write a book about them. Another way is to condense your recollections into a solo performance piece that resembles a standup comedy routine. Annabelle Gurwitch has done both. Read more… Now running through June 7.
Paul Birchall – Stage Raw Director Chris DeCarlo’s staging of the 29th anniversary production of playwright Jerry Mayer’s play about marriage and temptation inevitably shows its age — and not just because the work’s sitcom structure and conveniently pat situations lack the ambiguity of turn of Millennial modern romcoms. Read more… Now running through June 28.
Neal Weaver – Stage Raw This play, which provided Tennessee Williams with the first great success in his spectacular but ultimately blighted career, is astonishingly rich, simple, and forthright. That it requires only four actors and a single set has deluded many actors and directors to think it is an easy play to do. But … Read more
Bob Verini – Stage Raw Most people’s command of international finance and investment, I think it’s fair to say, probably cuts not much deeper than the “Money makes the world go around” lyrics from Cabaret. Yet in telling the sorry true-life saga of the titular Houston energy giant and its catastrophic demise, Lucy Prebble’s Enron coolly takes for granted … Read more
David C. Nichols – LA Times Family dysfunction, that age-old staple of the dramatic canon, permeates the walking wounded that populate “The House of Yes” in a respectable, albeit still-gelling 25th anniversary revival at the Zephyr. Read more… Now running through June 14.
Bob Verini – Stage Raw John Logan’s Red has been one of the most produced plays of the last few years, with over 40 mountings at major theaters coast to coast, usually reviewed in deserved superlatives. Yet in all the column inches devoted to the incisive two-hander, few if any of my critical colleagues have made reference … Read more
Deborah Klugman – LA Weekly It’s hard to imagine a more tender, more lyrical or more captivating work than this three-person piece from Kulunka Teatro, a company originating from Spain’s Basque Country. Read more… Now running through June 7.
Margaret Gray – LA Times When women have babies, expectations are born at the same time – dream children, made up of assumptions and hopes, that grow up alongside the real ones. Read more… Now running through May 31.
Deborah Klugman – Stage Raw Despite its subtitle, The Godfather is the inspiration for Theatre Movement Bazaar’s latest creation. Their show is billed as a theatrical collage, an appropriate description for a somewhat scattershot piece that features chunks of perceptive writing by Richard Alger and several highly watchable performances but doesn’t quite come together with the vision … Read more
Bob Verini – Arts In LA In Not That Jewish we encounter something distinctly unexpected: a first-person memoir by a former standup comic that actually feels like a real play. Read more… Paul Birchall – Stage Raw If you like your humor with a Kosher sensibility, Monica Piper’s delightful, if lightweight solo show is far … Read more