Neal Weaver – LA Weekly Chris Phillips’ cannily written play examines the need to stand up against oppression and avenge violence with violence versus the necessity for love and forgiveness. The six scenes are alternately comic, brutal and surreal. The piece initially seems fragmented, but the interrelatedness of the scenes, and their thematic unity, gradually emerge.Read … Read more
Bob Verini – ArtsInLA If you revel in fine actors’ pushing the envelope of what performance can do, or have an interest in investigating important historical experience via theatrical means, this ungainly-named but unforgettable work is *the* production of the summer, just as Son of Semele’srecently closed Our Class was *the* production of the spring. In both, a … Read more
Dany Margolies – Arts In LA In this three-person show—originally the work of writer-actors Adam Long, Daniel Singer, and Jess Winfield—three actors enact highlights of, summarize, or at least mention the title of all 37 of Shakespeare’s plays. First up are highlights, or lowlights, of Romeo and Juliet. Next, Titus Andronicus is boiled down to … Read more
David C. Nichols – LA Times With summer here, the whirligig of time brings in “The Taming of the Shrew” at Will Geer’s Theatricum Botanicum, and it proves a blissfully madcap occasion. This rip-roaring take on William Shakespeare’s ever-popular romantic comedy opens the 40th anniversary season at this incomparable outdoor venue with marvelous forward momentum.Read … Read more
David C. Nichols – L.A. Times “This is either the longest suicide note in history, or the juiciest, dirtiest, most delicious confession you’ll ever hear,” begins “Hungry Woman” at Casa 0101. Food, family and post-feminist freedom are the chief thematic ingredients in playwright Josefina López’s witty, compelling fantasia, and though still refining, it’s perhaps her … Read more
Dany Margolies – Arts In LA Before you hear this production described as “sitcomish,” know it was written by Antony Jay and Jonathan Lynn, the writers of the 1980s British television series Yes Minister and then Yes, Prime Minister. And if the humor of those series was good enough to keep the Brits giggling, it’s … Read more
Bob Verini – ArtsInLA The first extended run of the tuner A Man of No Importance is a matter of some importance, as it inaugurates—in this era of folding companies and theaters in transit—a new enterprise: the Good People Theater Company, under the direction of the gifted veteran stager-choreographer Janet Miller. Taking on the countervailing winds (money … Read more
Pauline Adamek – ArtsBeatLA It’s not every day you get to be heavyweight champion of the world—for a professional sportsman it’s a once in a lifetime event, at least the first time is… In 1964, at the tender age of 22, boxing legend Cassius Clay (soon thereafter known as Muhammad Ali) ascended to the pinnacle … Read more
Shirle Gottlieb for the Gazette Newspapers Unless you’ve been lost in the desert for the last five decades, you’ve undoubtedly heard of “Little Shop of Horrors.” Originally produced circa 1960 by the infamous Roger Corman, this black-and-white film has become a cult classic that is still going strong.Read more…
Melinda Schupman – ArtsInLA Sarah Ruhl’s slightly daffy but contemplative play takes a shot at our cell phone culture while examining human connections and the nature of love. Jean (Alina Phelan) is sitting in a cafe, ostensibly working on something, when a cell phone at the next table rings over and over, interrupting her concentration. … Read more