Terry Morgan – Stage Raw Watching A Noise Within’s new production of Sam Shepard’s Buried Child, I was struck by how closely the first act resembles Pinter’s The Homecoming. A man who’s been away from his family for some time returns, accompanied…
Deborah Klugman – Stage Raw Gem of the Ocean, August Wilson’s play about sin, salvation and the power of the supernatural, takes place in 1904, a mere four decades following the end of the Civil War. Written near the close…
Erin Conley – On Stage & Screen Since the publication of Mary Shelley’s novel Frankenstein in 1818, it has been interpreted and adapted in many ways. In 2011, a stage adaptation by Nick Dear debuted at the National Theatre in London, and…
Ellen Dostal – BroadwayWorld The best way to characterize Mary Zimmerman’s adaptation of the mythical tale of Jason and the Argonauts is as a playground for adults in which theatre artists use every storytelling trick in the book to bring…
Dany Margolies – The Daily News If you had a perfectly happy childhood with ideal parents, good for you. Tennessee Williams did not, and this led to some of literature’s most-affecting, most-enduring plays. Many in his audiences didn’t, either, and…