Terry Morgan – ArtsBeat LA Plays that chart the course of a romantic relationship have long been a staple of theater. Stories told in a nonlinear way are less common but not unheard of. When you take the previous two structures and apply them to the topic of a lesbian interracial marriage, the result is … Read more
Deborah Klugman – Stage Raw In 2013, the 24th Street Theater produced a play by British playwright Mike Kenny, Walking the Tightrope. It was directed by Debbie Devine and starred adult performer Paige Lindsey White as a little girl who visits her grandparents at the seaside every year…Now comes Rapunzel Alone, another play by Kenny that was commissioned by … Read more
Terry Morgan – Artsbeat LA I have a rule about avant-garde theater: if an artist chooses to deliberately obscure his/her/their meaning via unusual methods or flirts dangerously with pretentiousness, the play had better validate those choices by demonstrating how they were necessary. Most experimental pieces, in my experience, fail that test, but when they succeed … Read more
Jonas Schwartz-Owen – Broadway World Three men stand on a stage for over three hours, trekking through 150 years of history in The Lehman Trilogy and it’s the most invigorating evening imaginable. Read more… Now running through April 6
Tracey Paleo – Broadway World It was just what we needed!” The audience response was joyous. Indeed, that was the very vocal sentiment of so many in the crowd after a triumphant opening night at the Ahmanson Theatre downtown Los Angeles….Read more… Jonas Schwartz – TheaterMania Of course, Everybody’s Talking About Jamie, since its star, Layton … Read more
Jonas Schwartz-Owen – Broadway World During the opening number, the Troubadour Theatre Company, affectionately known to all as the Troubies, comment how thrilled the troupe, and the audience by extension, is to have returned to live theatre. The audience responded with glorious applause, and both the occasion and the Troubies deserve that adulation. Read more… Terry … Read more
Erin Conley – On Stage & Screen Since the pandemic forced the temporary end of in-person theater, Geffen Playhouse audiences have performed magic tricks, solved puzzles, and investigated a cold case, all from the comfort and safety of their own homes. The latest Geffen Stayhouse offering brings new meaning to the phrase “dinner and a … Read more
Ellen Dostal – BroadwayWorld Like most solo productions, Philicia Saunders’ BREATHE comes from her own experiences. Unique to her telling however is the method by which she relates that story. Necessitated by a global pandemic that has forced audiences to view theatrical productions from behind a computer screen, Saunders has employed a variety of media … Read more
Ellen Dostal – Broadway World Geffen Playhouse has found its own unique key to navigating the dark days of 2020 — and still maintain that art is alive and well — with its highly successful Stayhouse series of interactive performances. These virtual offerings allow for several productions to run concurrently, rather than being limited to … Read more
Ellen Dostal – Broadway World On the surface, NATHAN C. JONES appears to be an unassuming little show about a young man and his new romance. But, as the audience is drawn further and further into the story, it becomes clear that the writers are exploring much deeper questions about loneliness, the desire to be … Read more