Erin Conley – On Stage & Screen On paper, it feels a bit wrong to call a musical about September 11th, 2001 “uplifting.” It is easy to wonder how that could possibly be true…until seeing Come From Away, a true marvel of a show that manages to take a large story everyone knows about one … Read more
Dany Margolies – The Daily News Currently playing at San Pedro’s Little Fish Theatre, Larry Shue’s 1983 comedy “The Foreigner” bobs gently along, a tale about how the shyest and most self-effacing among us can still bring out the best in others.Read more… Now running through July 15
Margaret Gray – LA Times During Alena Smith’s play “Icebergs,” in its world premiere at the Geffen Playhouse, thirtysomething screenwriter Calder (Nate Corddry) sets up an air mattress in his Silver Lake living room for a visiting friend. The mattress is the self-inflating kind, and after Calder plugs it in, he sits lost in thought, … Read more
Lovell Estell III – Stage Raw There was a time when gas was eleven cents a gallon, a new car might run you a thousand dollars, average wages were under two thousand dollars a year, and thousands of unsuspecting American citizens deemed unfit and undesirable were forcibly sterilized by the government, with the full aid … Read more
Dany Margolies – The Daily News Theatergoers are rarely able to observe characters growing up over the course of several plays. Shakespeare’s Prince Hal provides one notable exception. Playwright Neil Simon offers another. In his Brighton Beach Memoirs, we met Eugene Jerome, the hilariously genial youngster in 1940s New York, torn between becoming a professional baseball … Read more
Bob Verini – Arts In LA The inciting incident of The Power of Duff, Stephen Belber’s new play at the Geffen, occurs early. Local Rochester, N.Y. news anchor Charlie Duff (Josh Stamberg)—having lost his wife to divorce, his son to resentment, and now his long-estranged dad to death—closes a broadcast with a spontaneous, brief “rest-in-peace” prayer. … Read more
Bob Verini – Arts In LA On the heels of Spike Jonze’s award-winning film Her comes another whimsical, futuristic, seriocomic speculation about artificial intelligence’s commercial and emotional potential. This one is Jordan Harrison’s world premiere play at the Taper, titled Marjorie Prime, and concededly it lacks the heft of Jonze’s celebrated Oscar winner, not to mention its unforgettable … Read more