Martίn Hernández – Stage Raw Seventy years after its first iteration as a television play, Reginald Rose’s work – originally titled Twelve Angry Men – remains a pungent critique of racism and xenophobia. Sherman L. Sergel adapted the teleplay for…
Martίn Hernández – Stage Raw What better way to ring in the Halloween dread than a musical biography of the U.S.A.’s most celebrated master of the macabre? . . . [T]he show melds fact and fiction with a lush operatic…
Martίn Hernández – Stage Raw Playwright Ashley Rose Wellman’s world premiere dramedy depicts a complex mother-daughter relationship with nuanced characters and snappy dialogue. Set in a cramped and cluttered animal shelter, Wellman’s play explores themes of euthanasia, abortion, and single…
Martίn Hernández – Stage Raw In the early 1950s, playwright Arthur Miller and his friend Elia Kazan pitched Miller’s dockworker-based screenplay The Hook, with Kazan as the proposed director, to Columbia Pictures’ boss Harry Cohn. When Cohn – and the…
Martίn Hernández – Stage Raw This international theatre festival has winnowed hundreds of submissions down to 52 entries, all ten-minute one-act plays, 31 in English and 21 in Spanish. Audience members and a jury of industry professionals vote on the…