Margaret Gray – LA Times South Coast Repertory’s generosity to new playwrights has a fairy godmother-like charm. The company commissioned a play from the relatively unknown writer Melissa Ross and has mounted a lavish, gorgeous world premiere production of it. Read more… Now running through April 26.
Margaret Gray – LA Times There are plenty of fish in the sea, we console ourselves when loved ones escape our nets. But in Kimber Lee’s new play, “tokyo fish story,” having its world premiere at South Coast Repertory, the truth of this old proverb is in doubt. Read more… Bob Verini – Stage Raw … Read more
Deborah Klugman – Stage Raw One element that’s always appealed to me in the Tristan and Yseult story [this version, anyway] has to do with how King Mark – a betrayed ruler and cuckolded husband – declines to violently avenge himself on the erring lovers. Although the opportunity is there, he forbears from plunging a dagger … Read more
Margaret Gray – LA Times Remember the scene in “Gone With the Wind” when Scarlett fries latkes for a Hanukkah party at Tara? No? Right, there wasn’t such a scene. American Civil War sagas seldom reflect a Jewish perspective. Read more… Terry Morgan – Stage Raw Matthew Lopez’s The Whipping Man is reputed to be one of … Read more
Myron Meisel – Stage Raw Set entirely in the confines of the office of the British Consul in Mecca, Saudi Arabia, during the first day of the annual Hajj pilgrimage, Zealot, by the well-established and prolific Theresa Rebeck (Seminar, Mauritius, Bad Dates, Spike Heels), cannot avoid being a presumptuous play, satirizing and exposing obtuse Western perceptions that … Read more
Steven Leigh Morris – LA Weekly David Ives’ Tony-nominated 2010 sexual comedy, Venus in Fur, is to eroticism what Yasmina Reza’s Art is to painting. Both are beguiling, erudite parlor games that keep fluttering around the issues they purport to investigate. Read more… Now running through Oct. 26.
Terry Morgan – Stage Raw The current production of The Tempest at South Coast Repertory is the best version of the play I’ve ever seen. It does something seemingly obvious, yet not so obvious that I’ve seen it before: It focuses on the magic. This isn’t to say that it skimps on vengeance, forgiveness or young love, but director/adaptors … Read more
THE FANTASTICKS – Book and lyrics by Tom Jones, music by Harvey Schmidt. David C. Nichols — L.A. Times The delicate theatricality of “The Fantasticks” has weathered countless editions worldwide since its off-Broadway premiere in 1960. But Tom Jones and Harvey Schmidt’s adaptation of Edmond Rostand’s “Les Romanesques” has perhaps never before enjoyed the elevated insight of … Read more
The Whale by Samuel D. Hunter. Deborah Klugman – ArtsBeatLA In Samuel D. Hunter’s The Whale, Charlie (Matthew Arkin) an obese gay man confronting his own mortality reaches out to the daughter he walked out on years ago. Like Hunter’s play A Bright New Boise (produced to justifiable acclaim last year by Rogue Artists in Los Angeles), this drama is set in Idaho, … Read more
How to Write a New Book for the Bible by Bill Cain. Melinda Schupmann – ArtsInLA.com Narrator Bill (Tyler Pierce) enters with a notebook in hand and announces: “First rule of writing? Write what you know. If writers stuck to it, there would be no books.” On that note, over time, we learn that Bill is a … Read more