Terry Morgan – Talkin’ Broadway The cost of integrity is never cheap, but it varies. Sometimes one can lose relationships with family or friends, lose a job or, in the direst circumstance, lose one’s life. In the early 1950s, the House Un-American Activities Committee wielded Cold War communist paranoia to attack people whose views they … Read more
Erin Conley – On Stage & Screen Sometimes, family can bring out the worst in us—especially if your relatives would do anything to get to the top.Read more… Terry Morgan – Talkin’ Broadway Sometimes a play simply works within its own era, and exists later simply as an accurate representation of that time. But other … Read more
Terry Morgan – Stage Raw Translating personal experiences or family history into theatre can be a tricky proposition. On the one hand, simply recounting events as they happened doesn’t necessarily create fascinating drama. On the other hand, fictionalizing things too much may betray the truth of the story.Read more… Now running through November 18
Terry Morgan – Stage Raw It could be said that Sam Shepard perfected the strain of poetic realism that runs in American playwriting, particularly in works such as True West and Buried Child. Symbols abound, from characters representing civilization and wilderness to bushels of corn growing from a dead field.Read more… Now running through November 9
Terry Morgan – Stage Raw Although Rogue Machine is a small theatre company, it’s always punching above its weight class and generally achieving whatever artistic challenges it sets for itself. This year the group had a particularly difficult task — it had to find a new home, a misfortune that sometimes sinks otherwise stable organizations. … Read more
Terry Morgan – Stage Raw Not every work of art is designed with the mass audience in mind. Some are experiments or explorations, or maybe just a diverting goof. All these terms might apply to John O’Keefe’s All Night Long, a kaleidoscopic fever dream of a play that revels in erudition and silly humor but doesn’t … Read more
Terry Morgan – Stage Raw There’s a reason that Shakespeare’s Cymbeline doesn’t get produced very often. It’s not that it’s bad per se, but that it’s familiar without being extraordinary.Read more… Now running through October 14
Terry Morgan – Stage Raw An old saw states that comedy is hard; a qualifying truth might well be that farce is the hardest. It requires wit, energy, sometimes broad slapstick and, above all, exquisite timing. When everything clicks, you get a masterpiece such as Noises Off. When it doesn’t, the results can be frustrating. Performed … Read more
Terry Morgan – Stage Raw If one were to attempt to find a work comparable to Dylan Thomas’s Under Milk Wood, it would likely be Thornton Wilder’s Our Town. Both plays deal with the mundane and the sacred, and both delve into the complexities of small communities.Read more… Now running through August 25
Terry Morgan – Stage Raw Caring for an infant is an important part of life, yet its difficulties are rarely depicted in the arts. While there is no lack of stories about pregnancy and birth, once the child is born, the drama seems to be considered less interesting. Playwright Molly Smith Metzler begs to differ…….Read … Read more