Terry Morgan – Stage Raw One of the pleasures of attending theater is witnessing the rebirth of a classic play through a vital new production. There’s something profoundly satisfying in realizing that the concerns of the past aren’t that different from our own; that art, when well done, resounds down the corridors of time like … Read more
Margaret Gray – LA Times Remember the scene in “Gone With the Wind” when Scarlett fries latkes for a Hanukkah party at Tara? No? Right, there wasn’t such a scene. American Civil War sagas seldom reflect a Jewish perspective. Read more… Terry Morgan – Stage Raw Matthew Lopez’s The Whipping Man is reputed to be one of … Read more
Terry Morgan – Stage Raw The Antaeus Company is well known for its facility with classical plays, such as King Lear and The Crucible. What may not be so well known is that the group often tries to spotlight excellent plays that are a bit less famous, such as Mrs. Warren’s Profession or The Liar. Following that tradition, Antaeus’ new presentation … Read more
Terry Morgan – Stage Raw This sixth annual presentation by Unbound Productions is a cool, autumnal treat. Participants gather at the Mountain View Mausoleum & Cemetery in Altadena to witness three adaptations of famous scary stories from literature or folklore, staged on the grounds. Read more… Bob Verini – Arts In LA Immersive, site-specific theater could … Read more
Jonas Schwartz – Arts In LA The Actors Co-op modest production of the Tony-winning The Mystery of Edwin Drood strips away the large orchestrations, the amplified mikes, and the harmonizing chorus and focuses on Rupert Holmes’s ribald script. Led by the superbly dry Peter Allen Vogt, Drood makes for an uproarious evening. Read more… Terry Morgan – Stage Raw You cannot … Read more
Terry Morgan – Stage Raw The current production of The Tempest at South Coast Repertory is the best version of the play I’ve ever seen. It does something seemingly obvious, yet not so obvious that I’ve seen it before: It focuses on the magic. This isn’t to say that it skimps on vengeance, forgiveness or young love, but director/adaptors … Read more
Terry Morgan – Stage Raw There have always been political takes of Anton Chekhov’s The Cherry Orchard. Some have described it as a condemnation of the idle aristocracy, a precursor to the Russian Revolution. Others saw it as a kind farewell to a vanishing class that is being supplanted by rapacious businessmen who only find beauty … Read more
Terry Morgan – Stage Raw The current production of Tennessee Williams’s classic A Streetcar Named Desire by The Group Rep at the Lonny Chapman Theatre is a pleasant surprise, a robust take on the material that features a strong ensemble, an outstanding Blanche, and smart direction that brings the material to vibrant life. Read more… Now playing through … Read more
Myron Meisel – The Hollywood Reporter If you feel that the Oedipus myth starts with the riddle and ends with the cathartic revelation, that’s just the beginning: here Oedipus (Ramon de Ocampo) blinds himself with Jocasta’s (Rhonda Aldrich) earrings barely an hour into a nearly three-hour evening. Read more… Terry Morgan – Stage Raw One of … Read more
Terry Morgan – Talkin’ Broadway Theatre has many functions, and sometimes its job is to remind or teach people about history. The trick, of course, is to do it in such a way that the piece still works as theatre, so it isn’t essentially a PowerPoint presentation with actors instead of graphics. Playwright has an … Read more