Tracey Paelo – Gia On The Move. As is her trademark…actor, producer, fight choreographer Jen Albert who also plays the title role, is 100% committed to a display of historical context about an ancient, iron-age war in Celtic Britannia, and the legendary woman who, for a brief glorious moment, brought the disunified tribes together to … Read more
Katie Buenneke – Stage Raw. At moments, the play is an absolute delight. Melville seems born to play a Coward crank, and really shines in the role. Chalsma is charming, especially when Amanda is at her most flustered. Charles is also strong as Victor, a gentleman who reaches his breaking point as things cycle out … Read more
Jonas Schwartz – Theatermania Ava: The Secret Conversations, written by and starring Elizabeth McGovern, looks at the life of golden-age movie star Ava Gardner. But oddly, it focuses more on a periphery character, a sycophantic hack writer. This might come as a disappointment to those who want to spend time with Gardner rather than this … Read more
Deborah Klugman – Stage Raw. In Manuel Puig’s stage play, Kiss of the Spider Woman, two fundamentally different personalities — a gay man accused of sexual relations with a minor, and a political prisoner-slash-macho straight guy working to overthrow a repressive regime — are housed together in a dingy cell with wretched food, dim lighting, … Read more
Patrick Chavis – LA Theatre Bites. Boston Court and Playwrights’ Arena Present: Unrivaled @ Boston Court Pasadena – 7.5 out of 10 – Above Average! More… Katie Buenneke – Theater Digest Sei Shōnagon (Chelsea Yakura-Kurtz) wrote The Pillow Book, an assemblage of musings that entertained not just her fellow ladies-in-waiting in the court of Empress … Read more
Martίn Hernández – Stage Raw. While inundating storms may have receded recently, another one is brewing over at the Shakespeare Center of Los Angeles which has partnered with After Hours Theatre Company for a sumptuous “immersive” co-production of William Shakespeare’s tale of revenge, love, and compassion. After boarding the “King’s Ship” on its journey from … Read more
Tracey Paleo – BroadwayWorld. Notwithstanding that they fell into many textbook Shakespeare traps, and that there was zero chemistry between any single one of the characters, the Foolish Production Company cast actually knew what they were doing. And mostly their 1-hour rendition of TWELFTH NIGHT (playing in rep with MEASURE FOR MEASURE at The Broadwater) … Read more
Deborah Klugman – Stage Raw. Paula Vogel’s play, How I Learned to Drive, knocked it out of the park for critical acclaim when it opened in 1997. Directed by Mark Brokaw at Manhattan’s Vineyard Theatre, the premiere featured Mary-Louise Parker as a woman recounting the pain of her teen and pre-teen years under the sway of … Read more
Tracey Paleo – BroadwayWorld. There are defining moments in our lives where we either shrink away in fear or make a stand at all costs. In 2020, at the beginning of a global health crisis, under the order of a shelter-in-place lockdown, Kristina Wong faced such a moment. And in that moment, Kristina Wong became … Read more
Socks Whitmore – Stage Raw. John Perrin Flynn, the producing artistic director of Rogue Machine Theatre, states clearly in the program for their latest production: “We don’t do musicals.” And yet, the show itself — the world-premiere run of Come Get Maggie, a feature-length retro science-fiction/forbidden romance created by Diane Frolov and Susan Justin — is exactly … Read more