Martίn Hernández – Stage Raw With its hashtag retitle alluding to the #MeToo Movement, author/adaptor Charles A. Duncombe’s version of William Shakespeare’s Measure for Measure offers a timely skewering of sexual harassment, religious hypocrisy, and state repression. Rather than a wholesale adaptation, however, Duncombe maintains the original setting and intersperses contemporary banter and narration with … Read more
Martίn Hernández – Stage Raw That adolescent boys and young men played the female roles in William Shakespeare’s day surely wreaked humorous havoc on the Bard’s gender-bending comedy. Director Ken Knight has gone a step further, casting women in some of the male roles, and thus amping up the gender fluid frivolity of this classic … Read more
Rob Stevens – Haines His Way William Shakespeare died in 1616. At that time, there really were no definitive printed versions of any of his three dozen plays. Two of Shakespeare’s fellow King’s Men players gathered and printed what has become known as The First Folio in 1623. If they had not done so at … Read more
Martίn Hernández – Stage Raw. While inundating storms may have receded recently, another one is brewing over at the Shakespeare Center of Los Angeles which has partnered with After Hours Theatre Company for a sumptuous “immersive” co-production of William Shakespeare’s tale of revenge, love, and compassion. After boarding the “King’s Ship” on its journey from … Read more
Dana Martin – Stage Raw. Loose morals, licentious proposals and live vinyl rule the night at the Broadwater in Hollywood. Foolish Production Co’s latest production of Shakespeare’s Measure for Measure is a mixed bag of madcap moodiness…. Under Mulhearn’s direction, the show moves quickly and the play’s five acts and multiple plot twists are condensed … Read more
Tracey Paleo – BroadwayWorld. Notwithstanding that they fell into many textbook Shakespeare traps, and that there was zero chemistry between any single one of the characters, the Foolish Production Company cast actually knew what they were doing. And mostly their 1-hour rendition of TWELFTH NIGHT (playing in rep with MEASURE FOR MEASURE at The Broadwater) … Read more
Rob Stevens – Haines His Way. City Garage, the resident theatre company at Santa Monica’s Bergamot Station Arts Center, built their thirty-plus year reputation for doing heavy lifting with productions of Greek tragedies and the works of Brecht and Beckett among other dramatists. With their latest offering, Cardenio, they prove they can let down their hair and … Read more
Katie Buenneke – Stage Raw. I must start this review by confessing that this production of Much Ado About Nothing is a victim of my own expectations. Much Ado is my favorite Shakespearean text, and I’ve always respected the craft A Noise Within puts into their productions of the classics. I expected to love this show — but sadly, … Read more
Steven Leigh Morris – Stage Raw Confession: In all my years of reviewing theater, this is the first production I’ve ever seen of Shakespeare’s Henry VIII originally titled All is True, co-written (somebody thinks, who knows?) with Shakespeare’s peer, John Fletcher. It’s the last history play penned or co-penned by the Bard, and it’s a bit of a mess, … Read more
Katie Buenneke – Stage Raw Centuries before there was a Marvel Cinematic Universe, William Shakespeare introduced a Falstaff Theatrical Universe with The Merry Wives of Windsor, a comedy that follows the foibles of Falstaff, the much disparaged knight who appears in Henry IV parts 1 and 2 (L.A. audiences may have seen him last portrayed by Tom Hanks in … Read more