Erin Conley – On Stage & Screen Perspective is crucial to the understanding of both life and theater, and in the Pasadena Playhouse production of The Father, which opened this week, an intentionally disorienting point-of-view offers a dramatic and moving look at late-stage dementia. Written by Florian Zeller, the play premiered in 2014 and many consider … Read more
Terry Morgan – Talkin’ Broadway When The Witch of Edmonton (written by William Rowley, Thomas Dekker and John Ford) premiered in 1621, its tale of a woman selling her soul to the devil to gain revenge on her neighbors was played as a tragic drama. Jen Silverman’s new version of the story, simply titled Witch, … Read more
Terry Morgan – Talkin’ Broadway The old maxim states that truth is stranger than fiction, but sometimes truth isn’t quite that bold and merely approaches the outlandishness of prose. Such is the case of Richard Lancelyn Green, the subject of a New Yorker article, a Sherlock Holmes expert who was found dead in his apartment … Read more
Terry Morgan – Talkin’ Broadway It’s always a nice moment when a work of art surprises me in a positive way. It reminds me of one of the reasons I love theater in the first place: the primal pull of story. It’s the delight of seeing something new when one was expecting something else.Read more… … Read more
Erin Conley – On Stage & Screen Sometimes, family can bring out the worst in us—especially if your relatives would do anything to get to the top.Read more… Terry Morgan – Talkin’ Broadway Sometimes a play simply works within its own era, and exists later simply as an accurate representation of that time. But other … Read more
Deborah Klugman – LA Weekly Tom Hanks as Falstaff, Joe Morton as King Henry IV and a solid supporting ensemble add up to half a dozen good reasons to see director Dan Sullivan’s staging of Henry IV,….Read more… Ellen Dostal – BroadwayWorld Director Daniel Sullivan‘s adaptation of HENRY IV, Parts 1 & 2 may only be playing in … Read more
Terry Morgan – Talkin’ Broadway Labeling a work of art as being one particular thing can often be problematic, creating expectations that the piece doesn’t fulfill. Amy Herzog’s play Belleville is being promoted as a Hitchcockian thriller, which it is not. It’s only a thriller in the sense that Who’s Afraid of Virginia Woolf? is a thriller, in that … Read more
Terry Morgan – Talkin’ Broadway Often, when classic plays are “updated” or “reimagined,” the implication is that the work needed such treatment to remain relevant to a modern audience. In my experience, this rarely is the case, and such reinventions are generally more of a way for a director to stamp his or her stylistic … Read more
Terry Morgan – Talkin’ Broadway These days, films are regularly being converted into musicals, some which actually benefit from the change. It’s rarer to see a film made into a dramatic play, perhaps because of the belief that there’s less box office profit to be had.Read more… The 1998 period romantic comedy Shakespeare in Love … Read more
Terry Morgan – Talkin’ Broadway High-end haunted houses seem to be more popular than ever these days. One can see the appeal—a bit more personal of a scare than simply watching a horror movie, a safe Halloween adventure. East West Players and Rogue Artists Ensemble have taken this trope and put their own unique spin … Read more