
UNCONDITIONAL @ SKYLIGHT THEATRE
Amanda Callas – BroadwayWorld Unconditional is utterly heartbreaking, explosive with tenderness and the irresistible bittersweetness of memory. Read more…
Amanda Callas – BroadwayWorld Unconditional is utterly heartbreaking, explosive with tenderness and the irresistible bittersweetness of memory. Read more…
Philip Brandes – Arts Beat LA The possibilities are endless” is a turn of phrase typically used for hyperbolic effect. But for British playwright Nick Payne, it’s the literal premise of his multiverse-hopping love story that eloquently appeals to both…
Tracey Paleo – Gia On The Move Open Fist Theatre Company has a winner on its hands in, BAT BOY THE MUSICAL, starring (recent NYU graduate) Ben Raanan in the title role, and an all-around stupendously talented cast for this…
Patrick Chavis – LA Theatre Bites Podcast 9.1 out of 10! Exceptional Show! LA Theatre Bites Recommended! Listen more… Edward Hong – The Nerds Of Color John Anthony Loffredo’s Frou-Frou: A Menagerie of Sorts, which just had its world premiere…
Don Shirley – Angeles Stage Cambodian Rock Band, Fake It Until You Make It, Four Women in Red, Noises Off, Desperate Measures, Macbeth, Twelfth Night, Stephen Sondheim’s Close Friends, Harry Potter and the Cursed Child,. Barbara Beckley, R.I.P. Read more…
Anita W. Harris – Long Beach Post Written by lyricist Peter Kellogg and composer David Friedman, with lively direction and choreography by Todd Nielsen, “Desperate Measures” is an enjoyable escapade with lovely songs, comic frivolity and yes, a thin plot,…
Martín Hernández – Stage Raw Horrors notwithstanding, it is a compelling tale commemorating the tenacity of those surviving under unfair and unbearable conditions not of their making. Read more…
Tracey Paleo – Gia On The Move Their current production of TWELFTH NIGHT is Antaeus Theatre Company at its best. And unlike many stagings of a script written by Shakespeare or otherwise, instead of installing cast members who have not…
Tracey Paleo – Gia On The Move Never more so than in this production of Terrance McNally’s, MASTERCLASS, does one realize just how misunderstood Maria Callas was in life and in “play”. At least that is how lead, Joan Almedilla,…
Jonas Schwartz – Theatermania The play’s real star is Jamie Harrison and his eye-deceiving illusions. Even in the condensed version, actors flip upside down, get sucked through tiny boxes, change costumes (by Katrina Lindsay) in a snap, and shoot fire…